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Aaron Meyers  > Places > West Coast > San Francisco & Bay Area
Photos from beautiful San Francisco, California
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< 28 of 53 >
Silver Haired Ancestor
Startrails and Ancient Petrogylphs
California

After poor planning cancelled a trip to Utah, Willie and I decided to head down to Death Valley instead. We brought along my friend Zack and were pretty excited to explore and get some great photos. Unfortunately, one of us must have really upset Mamma Nature because we got skunked for pretty much every photo we tried to take.

We left DV on Saturday morning and were off to find some ancient petroglyph formations that faced snow covered mountains. After finding the parking spot, going on a nasty little hike, and doing some bouldering we finally arrived at the petroglyphs. We weren't quite sure we'd be able to find it so we arrived *reallllllly* early (like at 1pm for a 5:45pm sunset). Sure enough, we found it almost immediately! What an amazing site!  These petroglphys, which are about 5,000 years old and one of the only ones that face the sky, sit on top of a block of volcanic rock and dozens of petroglyphs are carved into the rock, perhaps by ancestors of the Paiute (or Shoshone-Paiute) people. It's about 15 or 20 feet tall, somewhat bowl shaped, and slightly steep, perhaps about a 40 degree slope (which made standing for photos difficult). 

We thought we'd be the only ones there but were quite wrong (that seemed to be the theme of the trip … just wrong about everything!). A group of locals joined us for a couple minutes and then left as another large family joined us and eventually left. For a while we had the place to ourselves and used the time to get our compositions perfect. Surprisingly, around 3pm another set of (professional) photographers showed up and we had to squeeze in so that all 5 of us could get photos. It was pretty amusing, with one guy pretty much dangling off the rock! With our tripods setup we waited for sunset. 

Mamma Nature had not been nice to us during the trip but the 2 other photographers had been lucky all week, getting great skies the entire time, and we hoped their luck would turn our fortunes. Unfortunately, Mamma hated us more than ever and brought in some awful big clouds that blocked the sky from lighting up and we went home empty handed. So much for sunset!

After eating dinner we looked back at the skies and saw it had cleared up and thought "hey, lets go back and do star trails!" So off we go, with a whole lot of extra clothing, back up the nasty little hike and to the petroglphys. Willie brought some yellow tissue paper to diffuse a LED flashlight and we light painted the rock and then took a 30 minute exposure for the startrails. Willie manned the flashlight while I clicked off our shutters and tried to block the wind from shaking our cameras. It took a couple tries but we finally got the light painting thing down and then were able to move on to our 30 minute startrails. Yet again, Mamma Nature tried to stop us and rolled in a bunch of clouds just as we started the 30 minute exposure! It ended up creating a neat little effect, with the startrails being intermixed with clouds. I thought it made the startrails look like little silvery strands of hair! 

After the shot, we packed up and finally got to bed at about 12:30am. Being as crazy as we are, we woke up again at 5am, hiked back to petroglyphs for a 3rd time and tried for a nice sunrise (again, a failure). At least we got this shot and we had an amazing trip regardless!

Nikon D700 w/Nikkor 17-35mm f/2.8 ED-IF AF-S:
17mm, f/7.1, 30 min, ISO 200
Christmas Sunrise
SF Bay Bridge
San Francisco, California

For the past couple of years my buddy Zack and I have woken up early and driven to San Francisco for sunrise on Christmas morning. Being Jewish and not celebrating Christmas we're both usually away from our family, our friends are with their family, and the city is completely dead, which is perfect for photos. Unfortunately for us we left my apartment a little bit later than planned and got to Pier 14 just as the light was started to get good. I raced to try to setup my camera, figure out the framing, and start snapping away … then realized I wanted some filters and had to race to put on the Lee Filter holder and filters. All in all - I didn't really get a chance to figure out my composition, how many pylons I wanted, which pylons were the best to include, etc. 

It happened to be low tide (mostly low) so we got a good amount of the pylons showing, and there was enough cloud coverage to provide some color, but it was totally hazy/foggy and made the scene a bit eery. In fact, the light reflections from Oakland didn't come through at all, and I think I didn't get setup in time to capture the light reflections from the bridge. There were a bunch of seagulls flying around the scene too, and you can just make out a seagull on the left-most pylon who happened to sit there for a good majority of the ~6 minute exposure! 

I'm not in love with this photo but I wanted to make sure to capture something from pier 14 before the America's Cup comes to SF and the renovations remove these classic pylons. This is one of the most photographed spot in SF and it will become a thing of the past soon :(

Nikon D700 w/Nikkor 24-70mm f/2.8G ED AF-S:
32mm, f/9, 376 sec, ISO 640
Lee Big Stopper + HiTech 0.9 Reverse ND Grad
Thread the Needle
Golden Gate Bridge
San Francisco, California

Christmas time in SF means a couple special things for us photographers: The Beacon is lit atop the Transamerica Building and 17,000 lights outline the four Embarcadero Center buildings. Because of this I had 2 shots I really wanted to take: 1) the SF skyline from Treasure Island, under the bay bridge (see previous photo), and 2) "Thread the Needle" -- the Transamerica Beacon taken through the north tower of the Golden Gate Bridge. Having already shot the skyline from Treasure Island I needed to go back and get The Beacon in the GGB.

I convinced my friend Zack to leave work and drive up to SF with me. Luckily the traffic was pretty light and we made it to Marin in plenty of time to setup and wait for the blue hour. Zack's D70x wasn't really working so I leant him my D300s while I used the D700. Having been here before I knew that I really wanted ~300mm on a DX body so I was going to have to hope that my 70-300mm lens on the D700 would be good enough and I could just crop it. Unfortunately, the 70-300mm is not exactly the best lens, produces ugly lightstars and didn't take very good pictures. Just as blue hour (or the 5 minutes of it) hit, I asked Zack to switch lenses and borrowed his 80-200 f/2.8 lens, which was MUCH better. 

I tried numerous different compositions, and I even have the typical close crop of this but ultimately I liked including the bridge in this photo. I think it shows more of the scene and puts a little more focus on San Francisco as opposed to a tighter cropping focusing on the beacon. We call this "threading the needle" because the Beacon, which looks like a needle, fits perfectly in the north tower of the GGB. Note that the photo may looks like it's not properly leveled because the bridge appears to go up in the photo … I assure you that this photo is actually level (and I even double checked before/after I took the photo), it's just an illusion due to the angle the photo was taken. 

Nikon D700 w/Nikkor 80-200mm f/2.8D ED AF
155mm, f/11, ISO 250, 30 sec, Tripod
Holiday City
SF Bay Bridge and Skyline
San Francisco, California

Willie and I have been wanting to take the now popular San Francisco skyline photo from under the Bay Bridge for a while now. The photo is much much nicer during the holiday time when the lights outlining the buildings are turned on and a bright white light (called The Beacon) is turned on at the Transamerica Building (the triangular building). Willie checked the webcams for a couple nights this week and it looked like The Beacon was on, and I got confirmation from a friend in the city that it was also on (although, she described it as a "blinking light" -- I should have known this was bad information … read more about that).

We left work early and headed out to Treasure Island with plenty of time to find parking, hike up the hill, find "the spot" and then get setup. Unfortunately when US-101 and I-280 merged we hit a HUGE Friday afternoon holiday traffic. We arrived at Treasure Island much much later than planned (almost an hour later), and had to high tail it up the hill and over the Bay Bridge (we were both sweating pretty badly). After hopping the guard rail we actually found the spot pretty easily (just as we were walking over the Bridge a CalTrans truck drove by and screamed over the loud speaker "No photographs from this side of the bridge." We kept walking). We scouted out the area for a while, found our spots and then waited for the light to get nice.

Luckily for us there was an absolutely BEAUTIFUL sunset that night, which makes the photo much more interesting. As the sun went down we could start making out the lights on the buildings, first some random window lights, then the building outlines, and then a light on top of the Transamerica Building. A light … a red blinking light … NOT the white BEACON we were hoping for. In fact, The Beacon *never* showed up for us :( We still came away with a great shot but both Willie and I felt jipped because The Beacon is the icing on the cake of this classic shot. We're going to have to re-attempt it another time :(

Nikon D700 w/Nikkor 24-70mm f/2.8G ED AF-S:
42mm, f/16, 30 sec, ISO 125
No filters, NOT an HDR (all from 1 exposure)
Good Morning!
Fog Over Golden Gate Bridge
San Francisco, California

I've been checking the California weather this past week and getting really excited that cloudy skies are coming and we're going to have some coastal shots to start taking! In the mean time, I've got a second photo from our awesome Golden Gate Sunset that I wanted to post.

I really liked how the sunrise reflected off the low'ish fog on the morning of Sept 23rd. We're still hoping to get some lower fog but this still came out pretty neat. A less boring sky would have been nice too, but hey, beggars can't be choosers!

Nikon D300s w/Nikkor 24-70mm f/2.8G ED AF-S
70mm, f/10, 13 seconds, ISO 200, Feisol Tripod
HiTech 3-stop Reverse ND Grad, and 2-stop ND Grad
Foggy Sunrise
Fog Over Golden Gate Bridge
San Francisco, California

I liked this photo because the light around the south tower (the right tower) is amazing. I'm not really sure why I didn't post this as my original flickr photo -- I think I wanted to originally go with a wider crop (the photo I did post) but decided to them crop it down similar to this shot. I actually prefer this photo now that I already posted the other one :P

Last week Willie and I made an attempt at getting the Golden Gate Bridge with low fog. Unfortunately there was either no fog, too much fog, or back to no fog. This week the fog has been nice and low but we were watching it on the webcams from our homes and not with our own eyes. We decided to wake up early this morning and drive up and hope the fog would cooperate. Luckily, it did … mostly! It was a bit higher than we wanted but it still managed to show enough of the bridge to make the photo kinda interesting. We're gonna keep trying (we even found a better spot to shoot from for next time).

This is a 4 shot stitched panoramic.

Nikon D300s w/Nikkor 24-70mm f/2.8G ED AF-S
38mm, f/10, 34 seconds, ISO 200, Feisol Tripod
HiTech 3-stop Reverse ND Grad, and 2-stop ND Grad

A Black and White version of this photo is also available.
Purple Bliss
Bonsai Rock
Lake Tahoe, Nevada

[Update on 8/29/11] I decided to re-edit this image since it's one of my favorites. I pulled up the brightness in the rock and un-cropped the photo to get more of the reflections. Thoughts?

A bunch of months ago I saw a local photographer and one of my good Flickr friends, David Shield (http://www.flickr.com/photos/davidshield/), post a photo from "Bonsai Rock" in Lake Tahoe. Bonsai Rock is located on the north-east side of the lake, about 45 minutes from South Lake Tahoe. If you stand on the east shore you can get spectacular sunset photos with the rock in the foreground and the sunset in the background. Ever since I saw his photo this place was on my list of things I wanted to photograph!

I attempted this photo a couple weekends ago but a storm rolled in and there was no color in the sky. I didn't even bother leaving our ski cabin to go shoot. Finally this last weekend the weather looked great and I had a chance to drive up to the north-east shore and find Bonsai Rock.

I've read a lot of blogs and viewed a lot of photos of Bonsai Rock but it was 1) harder to find and 2) harder to photograph than I expected. I spent over an hour trying to find the right location to setup the tripod and take the photo. We had a gorgeous sunset (at one point the sunset over the mountains made it look like the mountains were on FIRE!) with some great color but I couldn't keep the photo simple enough to my liking -- there were just too many rocks in the photo. I didn't realize that the water level of Lake Tahoe rises and falls. This was a medium height: some of the rocks that many other photographs show (and lead the eye into Bonsai Rock) were covered up, but a lot of the rocks behind Bonsai Rock were completely uncovered and distracted from the background. Just as I was about to leave and call it a disappointing failure I thought about taking this one last, simple, composition zooming in on the rock. The sun had set about 15 minutes earlier but the color in the sky all of a sudden lit up further west than it had earlier and a long exposure (2.5 minutes) got the silky smooth water and brought out the color in the sky! I'm quite happy with how this came out! 

To find Bonsai Rock park at 39.183690 , -119.927088 and then climb down the side of the hill to 39.184844, -119.927727. 

More detailed directions if you're trying to find it: The parking location is about 6.7 miles north of the highway 28/highway 50 junction. There's a small turn-out on the side of the road (on the left side of the road if you're heading from S. Lake Tahoe. If you get to what looks like a highway rest stop on the right you've gone too far. If you're coming from North Lake, it's on the right, just past Sand Harbor after the rest-stop thing on your left). If you want to throw in your GPS coordinates the parking spot is pretty much exactly at 39.183690 , -119.927088. Once you park you have to hike down a steep hill slightly north of where you park. A lot of people mentioned that it was a "steep hike" but I never realized that it was about a 200 foot climb down to the water. It wasn't extremely difficult to get down, but we did have to hold onto some trees/roots/rocks to make sure we didn't slip and tumble into an injury. Getting back up after the shoot was a decent workout (note: if you're going at sunset, I recommend that you DON'T forget to bring a flashlight). Bonsai Rock itself is located at 39.184844, -119.927727. Mike Wiacek (http://www.mikewiacek.com/blog/2009/08/bonsai-rock-formation-lake-tahoe/) has been so kind as to create a custom Google Maps for Bonsai Rock. Check it out at http://maps.google.com/maps/ms?ie=UTF&msa=0&msid=117078272024675730991.000471c9db1839af7e9e6.

Nikon D300s w/Nikkor 17-35mm f/2.8 ED-IF AF-S:
35mm, f/11, 2.5 minutes, ISO 100, Tripod
Lee Foundation Kit Filter Holder
B+W F-Pro Circular Polarizer, HiTech 0.9 Graduated ND, Hitech 0.9 ND Soft, and 0.6 ND Soft.
No HDR!
My friend that I've been shooting a lot with lately had taken some pictures of sunset at the Golden Gate Bridge in which he "Threaded the Needle" -- using the right angle from the Golden Gate Bridge you can position the Transamerica building to be right in the center of one of the towers! There's room for 2 photographers at once. It was pretty windy so I had to bump my ISO up to get the shot, although this one was taken when the wind had stopped and I was able to get a little longer shutter. I want to come back here during Christmas time, when the Transamerica building has a light on the top (a star light) and when it's sunset and not the-sun-is-already-down.
Launch of the ULA Delta 4 Heavy. This marks the first west coast launch of the Delta 4 Heavy. They used to launch shuttles from here!
Silver Haired Ancestor
Startrails and Ancient Petrogylphs
California


After poor planning cancelled a trip to Utah, Willie and I decided to head down to Death Valley instead. We brought along my friend Zack and were pretty excited to explore and get some great photos. Unfortunately, one of us must have really upset Mamma Nature because we got skunked for pretty much every photo we tried to take.

We left DV on Saturday morning and were off to find some ancient petroglyph formations that faced snow covered mountains. After finding the parking spot, going on a nasty little hike, and doing some bouldering we finally arrived at the petroglyphs. We weren't quite sure we'd be able to find it so we arrived *reallllllly* early (like at 1pm for a 5:45pm sunset). Sure enough, we found it almost immediately! What an amazing site! These petroglphys, which are about 5,000 years old and one of the only ones that face the sky, sit on top of a block of volcanic rock and dozens of petroglyphs are carved into the rock, perhaps by ancestors of the Paiute (or Shoshone-Paiute) people. It's about 15 or 20 feet tall, somewhat bowl shaped, and slightly steep, perhaps about a 40 degree slope (which made standing for photos difficult).

We thought we'd be the only ones there but were quite wrong (that seemed to be the theme of the trip … just wrong about everything!). A group of locals joined us for a couple minutes and then left as another large family joined us and eventually left. For a while we had the place to ourselves and used the time to get our compositions perfect. Surprisingly, around 3pm another set of (professional) photographers showed up and we had to squeeze in so that all 5 of us could get photos. It was pretty amusing, with one guy pretty much dangling off the rock! With our tripods setup we waited for sunset.

Mamma Nature had not been nice to us during the trip but the 2 other photographers had been lucky all week, getting great skies the entire time, and we hoped their luck would turn our fortunes. Unfortunately, Mamma hated us more than ever and brought in some awful big clouds that blocked the sky from lighting up and we went home empty handed. So much for sunset!

After eating dinner we looked back at the skies and saw it had cleared up and thought "hey, lets go back and do star trails!" So off we go, with a whole lot of extra clothing, back up the nasty little hike and to the petroglphys. Willie brought some yellow tissue paper to diffuse a LED flashlight and we light painted the rock and then took a 30 minute exposure for the startrails. Willie manned the flashlight while I clicked off our shutters and tried to block the wind from shaking our cameras. It took a couple tries but we finally got the light painting thing down and then were able to move on to our 30 minute startrails. Yet again, Mamma Nature tried to stop us and rolled in a bunch of clouds just as we started the 30 minute exposure! It ended up creating a neat little effect, with the startrails being intermixed with clouds. I thought it made the startrails look like little silvery strands of hair!

After the shot, we packed up and finally got to bed at about 12:30am. Being as crazy as we are, we woke up again at 5am, hiked back to petroglyphs for a 3rd time and tried for a nice sunrise (again, a failure). At least we got this shot and we had an amazing trip regardless!

Nikon D700 w/Nikkor 17-35mm f/2.8 ED-IF AF-S:
17mm, f/7.1, 30 min, ISO 200
Silver Haired Ancestor Startrails and Ancient Petrogylphs California After poor planning cancelled a trip to Utah, Willie and I decided to head down to Death Valley instead. We brought along my friend Zack and were pretty excited to explore and get some great photos. Unfortunately, one of us must have really upset Mamma Nature because we got skunked for pretty much every photo we tried to take. We left DV on Saturday morning and were off to find some ancient petroglyph formations that faced snow covered mountains. After finding the parking spot, going on a nasty little hike, and doing some bouldering we finally arrived at the petroglyphs. We weren't quite sure we'd be able to find it so we arrived *reallllllly* early (like at 1pm for a 5:45pm sunset). Sure enough, we found it almost immediately! What an amazing site! These petroglphys, which are about 5,000 years old and one of the only ones that face the sky, sit on top of a block of volcanic rock and dozens of petroglyphs are carved into the rock, perhaps by ancestors of the Paiute (or Shoshone-Paiute) people. It's about 15 or 20 feet tall, somewhat bowl shaped, and slightly steep, perhaps about a 40 degree slope (which made standing for photos difficult). We thought we'd be the only ones there but were quite wrong (that seemed to be the theme of the trip … just wrong about everything!). A group of locals joined us for a couple minutes and then left as another large family joined us and eventually left. For a while we had the place to ourselves and used the time to get our compositions perfect. Surprisingly, around 3pm another set of (professional) photographers showed up and we had to squeeze in so that all 5 of us could get photos. It was pretty amusing, with one guy pretty much dangling off the rock! With our tripods setup we waited for sunset. Mamma Nature had not been nice to us during the trip but the 2 other photographers had been lucky all week, getting great skies the entire time, and we hoped their luck would turn our fortunes. Unfortunately, Mamma hated us more than ever and brought in some awful big clouds that blocked the sky from lighting up and we went home empty handed. So much for sunset! After eating dinner we looked back at the skies and saw it had cleared up and thought "hey, lets go back and do star trails!" So off we go, with a whole lot of extra clothing, back up the nasty little hike and to the petroglphys. Willie brought some yellow tissue paper to diffuse a LED flashlight and we light painted the rock and then took a 30 minute exposure for the startrails. Willie manned the flashlight while I clicked off our shutters and tried to block the wind from shaking our cameras. It took a couple tries but we finally got the light painting thing down and then were able to move on to our 30 minute startrails. Yet again, Mamma Nature tried to stop us and rolled in a bunch of clouds just as we started the 30 minute exposure! It ended up creating a neat little effect, with the startrails being intermixed with clouds. I thought it made the startrails look like little silvery strands of hair! After the shot, we packed up and finally got to bed at about 12:30am. Being as crazy as we are, we woke up again at 5am, hiked back to petroglyphs for a 3rd time and tried for a nice sunrise (again, a failure). At least we got this shot and we had an amazing trip regardless! Nikon D700 w/Nikkor 17-35mm f/2.8 ED-IF AF-S: 17mm, f/7.1, 30 min, ISO 200" href="javascript:openLB(1709478471,'',XLarge,'',1024,682);">Silver Haired Ancestor
Startrails and Ancient Petrogylphs
California

After poor planning cancelled a trip to Utah, Willie and I decided to head down to Death Valley instead. We brought along my friend Zack and were pretty excited to explore and get some great photos. Unfortunately, one of us must have really upset Mamma Nature because we got skunked for pretty much every photo we tried to take.

We left DV on Saturday morning and were off to find some ancient petroglyph formations that faced snow covered mountains. After finding the parking spot, going on a nasty little hike, and doing some bouldering we finally arrived at the petroglyphs. We weren't quite sure we'd be able to find it so we arrived *reallllllly* early (like at 1pm for a 5:45pm sunset). Sure enough, we found it almost immediately! What an amazing site!  These petroglphys, which are about 5,000 years old and one of the only ones that face the sky, sit on top of a block of volcanic rock and dozens of petroglyphs are carved into the rock, perhaps by ancestors of the Paiute (or Shoshone-Paiute) people. It's about 15 or 20 feet tall, somewhat bowl shaped, and slightly steep, perhaps about a 40 degree slope (which made standing for photos difficult). 

We thought we'd be the only ones there but were quite wrong (that seemed to be the theme of the trip … just wrong about everything!). A group of locals joined us for a couple minutes and then left as another large family joined us and eventually left. For a while we had the place to ourselves and used the time to get our compositions perfect. Surprisingly, around 3pm another set of (professional) photographers showed up and we had to squeeze in so that all 5 of us could get photos. It was pretty amusing, with one guy pretty much dangling off the rock! With our tripods setup we waited for sunset. 

Mamma Nature had not been nice to us during the trip but the 2 other photographers had been lucky all week, getting great skies the entire time, and we hoped their luck would turn our fortunes. Unfortunately, Mamma hated us more than ever and brought in some awful big clouds that blocked the sky from lighting up and we went home empty handed. So much for sunset!

After eating dinner we looked back at the skies and saw it had cleared up and thought "hey, lets go back and do star trails!" So off we go, with a whole lot of extra clothing, back up the nasty little hike and to the petroglphys. Willie brought some yellow tissue paper to diffuse a LED flashlight and we light painted the rock and then took a 30 minute exposure for the startrails. Willie manned the flashlight while I clicked off our shutters and tried to block the wind from shaking our cameras. It took a couple tries but we finally got the light painting thing down and then were able to move on to our 30 minute startrails. Yet again, Mamma Nature tried to stop us and rolled in a bunch of clouds just as we started the 30 minute exposure! It ended up creating a neat little effect, with the startrails being intermixed with clouds. I thought it made the startrails look like little silvery strands of hair! 

After the shot, we packed up and finally got to bed at about 12:30am. Being as crazy as we are, we woke up again at 5am, hiked back to petroglyphs for a 3rd time and tried for a nice sunrise (again, a failure). At least we got this shot and we had an amazing trip regardless!

Nikon D700 w/Nikkor 17-35mm f/2.8 ED-IF AF-S:
17mm, f/7.1, 30 min, ISO 200
Silver Haired Ancestor
Startrails and Ancient Petrogylphs
California


After poor planning cancelled a trip to Utah, Willie and I decided to head down to Death Valley instead. We brought along my friend Zack and were pretty excited to explore and get some great photos. Unfortunately, one of us must have really upset Mamma Nature because we got skunked for pretty much every photo we tried to take.

We left DV on Saturday morning and were off to find some ancient petroglyph formations that faced snow covered mountains. After finding the parking spot, going on a nasty little hike, and doing some bouldering we finally arrived at the petroglyphs. We weren't quite sure we'd be able to find it so we arrived *reallllllly* early (like at 1pm for a 5:45pm sunset). Sure enough, we found it almost immediately! What an amazing site! These petroglphys, which are about 5,000 years old and one of the only ones that face the sky, sit on top of a block of volcanic rock and dozens of petroglyphs are carved into the rock, perhaps by ancestors of the Paiute (or Shoshone-Paiute) people. It's about 15 or 20 feet tall, somewhat bowl shaped, and slightly steep, perhaps about a 40 degree slope (which made standing for photos difficult).

We thought we'd be the only ones there but were quite wrong (that seemed to be the theme of the trip … just wrong about everything!). A group of locals joined us for a couple minutes and then left as another large family joined us and eventually left. For a while we had the place to ourselves and used the time to get our compositions perfect. Surprisingly, around 3pm another set of (professional) photographers showed up and we had to squeeze in so that all 5 of us could get photos. It was pretty amusing, with one guy pretty much dangling off the rock! With our tripods setup we waited for sunset.

Mamma Nature had not been nice to us during the trip but the 2 other photographers had been lucky all week, getting great skies the entire time, and we hoped their luck would turn our fortunes. Unfortunately, Mamma hated us more than ever and brought in some awful big clouds that blocked the sky from lighting up and we went home empty handed. So much for sunset!

After eating dinner we looked back at the skies and saw it had cleared up and thought "hey, lets go back and do star trails!" So off we go, with a whole lot of extra clothing, back up the nasty little hike and to the petroglphys. Willie brought some yellow tissue paper to diffuse a LED flashlight and we light painted the rock and then took a 30 minute exposure for the startrails. Willie manned the flashlight while I clicked off our shutters and tried to block the wind from shaking our cameras. It took a couple tries but we finally got the light painting thing down and then were able to move on to our 30 minute startrails. Yet again, Mamma Nature tried to stop us and rolled in a bunch of clouds just as we started the 30 minute exposure! It ended up creating a neat little effect, with the startrails being intermixed with clouds. I thought it made the startrails look like little silvery strands of hair!

After the shot, we packed up and finally got to bed at about 12:30am. Being as crazy as we are, we woke up again at 5am, hiked back to petroglyphs for a 3rd time and tried for a nice sunrise (again, a failure). At least we got this shot and we had an amazing trip regardless!

Nikon D700 w/Nikkor 17-35mm f/2.8 ED-IF AF-S:
17mm, f/7.1, 30 min, ISO 200
Nikon D700 |
More details: exif |
Original size: 4256x2832 |
Current: 800x533 |
Share photo: links, forums, blogs |
Keywords: art indian landscape desert sierra california clouds carvings dry mountains nature adventure photography ancient native ancestors indians nikon petroglyph long exposure eastern sierras native american glyph north america sierra mountains 2012 d700 nikon d700 aaron meyers photography sky rock
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