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HorseFAIL Horsetail Falls, Fire Falls Yosemite National Park, CA Although Galen Rowell first photographed the Horsetail Falls "Fire Falls" in 1973 it was only until recently, with the popularity of the internet and social media, that this became a popular scene. During 2 weeks in February the sun sets at just the right angle that the orange glow reflects off the water and granite wall giving it the appearance of fire. Thousands of photographers flock to Yosemite National Park each winter to photograph this. In order for the Fire Falls effect to happen there needs to be plenty of water in the waterfall, the angle of the sun has to be just right, and the sky needs to be clear enough not to block the light from the sun. There are 2 main locations to photograph the Horsetail Falls Fire Falls: one by the El Capitan picnic grounds (on Northside Drive) and the other along the river bank further south (on Southside Drive). Having photographed this event from the Southside Drive location in 2011 I decided to photograph from Northside Drive this year. Willie, Alan, and I drove down to Yosemite National Park on Friday afternoon and spent the entire weekend in Yosemite. My cousin and his friend also joined us. As most people have pointed out the water level this year has been awful. A few giant storms in December gave way to an extremely dry January and February. When we arrived on Friday afternoon we could barely even find the waterfall, which is supplied by snowmelt from the top of El Capitan. Although several inches of snow fell a few days earlier the water level was looking pretty abysmal. On top of that, clouds kept rolling in. Luckily the clouds disappeared an hour or so before sunset and the only issue we had to tackle was water level. Disappointingly, not enough snow melted and we ended up with a mostly wet wall and not much waterfall. Willie, Alan, and I spent the rest of the weekend freezing our tuchases off as we drove around the park trying to find other things to photograph. We also ran into a number of other photographers that we have exchanged emails, comments, and conversations with: Jean Day, Matt Granz, Michael Bonocore, Joe Azure, and Chung Hu to name a few. We decided to cut our trip short and leave the park early on Sunday morning. Just as we drove out of the park at 9:30am we noticed that Horsetail Falls was *gushing* with water. We could see it with our naked eye! Scratch the plan to leave -- we turned around and went to the lodge to get some grub. Unfortunately …. When we returned at the waterfall a couple hours later the waterfall was completely gone again! Oh well, next year! Nikon D800 w/Nikkor 80-200mm f/2.8 AF-D ED: 200m, f/11, 1/50 sec, ISO 100
Dancing Gateway Fog Over Golden Gate Bridge Marin Headlands, California Fog on this particular morning was quite the surprise. Alan, Willie and I met up in San Francisco with the original idea of shooting a cloudy sunrise somewhere in San Francisco. By the time we arrived in the city the clouds had moved northeast and we decided to cross the Golden Gate Bridge to find a westerly spot to photograph. As we crossed the bridge into Marin we started to get excited -- there was a small layer of fog forming and we hoped it would keep coming in. We stopped at Battery Spencer but decided to keep driving. For the last 6 months Alan had an idea of trying to shoot a low fog photograph with the 2 towers aligned. The only problem is that you have to hike for quite a while to make it to the location and most people don't wake up early enough. Fortunately for us we had arrived much earlier than anticipated and if we booked it we would make it before sunrise. By the time we arrived at Alan's spot a much denser fog had rolled in and started covering most of the bridge. We were all pretty excited as we began shooting. Looking at the photos in our cameras showed a beautiful glow in the fog, some nice purple and blue tones, and the wonderful bridge. We shot the bridge with the 2 towers aligned first and then later moved back and to the right to shoot the bridge with a slight angle. Blue hour only lasted about 10 minutes and we ran around like crazy men trying to shoot different compositions. Ultimately I liked the slightly non-aligned photo the best, showing more of the bridge and giving insight into how the fog covered and exposed the beautiful Golden Gate Bridge. I titled this "Dancing Gateway" because I like the way that the fog seems to dance in and out of the bridge. Our morning concluded with a beautiful sunrise as the clouds lit up in beautiful oranges and reds. 16 photos stitched into a 230 megapixel image were required to fit the entire scene in. One day when I have time to stitch the photo together properly I might even show you what it looked like! Nikon D800 w/Nikkor 70-300mm f/4.5-5.6G ED-IF AF-S VR 220mm, f/11, 30 sec, ISO 160
Hidden Gems Fog Over Golden Gate Bridge Hawk Hill, San Francisco, California On this particular morning the fog at the Golden Gate Bridge was just at the bridge's deck level. Crossing over the Bridge from San Francisco into Marin County was an eery feeling as I was engulfed in fog at the same time as being able to see the stars above. As I drove up to Hawk Hill I looked down on a beautiful scene below me: the Golden Gate Bridge glowing, San Francisco peaking it's head out above the blanket, and the beautiful curves of Conzulman Road winding towards me. As the sun rose and began washing out the color of the bridge and the city lights I decided to try a number of different compositions and shutter lengths. Here I focused on the fog as it began to blow off from the tree line and disappear as the sun baked it away. Leaving the shutter open for 30 seconds captured the movement as the fog began to dissipate. Above the bridge you can see the fog leaving, beginning to reveal Alcatraz. This was such a beautiful scene I had to post more than one photograph from here! Nikon D800 w/Nikkor 24-70mm f/2.8G ED AF-S: 48mm, f/16, 30 sec, ISO 64 No Filters
Summer's Blanket Fog Over Golden Gate Bridge Hawk Hill, San Francisco, California Hopefully as each year passes by, we, as photographers, learn from our past mistakes and in turn become better photographers. A year ago I left things up to chance. Today, most of my photography is planned: I've learned to check weather forecasts, watch the "WunderMap" to follow cloud patterns, and even tried to understand what makes the low marine fog that we want so badly. I learned to check the SF webcams before I go to sleep and made a great new friend who could check the fog from his bedroom window and tell me if I should go back to bed or not (thanks Alan!). Last year I butchered a shot from here. This year I vowed to get it right! The night before this particular morning I had checked both the weather and the webcams and text messages about the following mornings fog started rolling in. I was so excited that I actually woke up *before* my 4:15am alarm! Alan almost instantly messaged me to tell me: "get up here, it's going to be amazing! EVERYONE is coming!" I arrived early, ran into Yan and began taking photos. Alan and Wilson arrived shortly after and we started trekking up to Hawk Hill. I also ran into Jim Patterson, Joe Azure, David Yu, and Della Huff, who are all great local photographers! The fog on this morning was pretty much a dream come true! The fog was just above the bridge deck when I arrived and throughout the sunrise I watched the fog move lower and lower. By 8am the fog was completely gone! I photographed the bridge from several locations on the road to Hawk Hill and had so many great photos that I had trouble deciding which was my favorite. I chose a photo from the blue hour of sunrise (which is really only about 10 minutes), when the sun was still somewhat low and the sky had purple tones to match the fog. A couple minutes later and the sky started to turn light blue, orange, and red, washing out the lights of the city in the background. I experimented with different aspect ratios of either 2:1 or 3:1, and found that a slower shutter smoothed out the fog while a faster shutter left more texture and bumps. Ultimately I chose quicker shutter speed of 10 seconds and a 2:1 crop so that I could include as much of the amazingly textured fog as I could. Nikon D800 w/Nikkor 24-70mm f/2.8G ED AF-S: 29mm, f/11, 10 sec, ISO 64 No Filters
Summer's Blanket Fog Over Golden Gate Bridge Hawk Hill, San Francisco, California Hopefully as each year passes by, we, as photographers, learn from our past mistakes and in turn become better photographers. A year ago I left things up to chance. Today, most of my photography is planned: I've learned to check weather forecasts, watch the "WunderMap" to follow cloud patterns, and even tried to understand what makes the low marine fog that we want so badly. I learned to check the SF webcams before I go to sleep and made a great new friend who could check the fog from his bedroom window and tell me if I should go back to bed or not (thanks Alan!). The night before this particular morning I had checked both the weather and the webcams and text messages about the following mornings fog started rolling in. I was so excited that I actually woke up *before* my 4:15am alarm! Alan almost instantly messaged me to tell me: "get up here, it's going to be amazing! EVERYONE is coming!" I arrived early, ran into Yan and began taking photos. Alan and Wilson arrived shortly after and we started trekking up to Hawk Hill. I also ran into Jim Patterson, Joe Azure, David Yu, and Della Huff, who are all great local photographers! The fog on this morning was pretty much a dream come true! The fog was just above the bridge deck when I arrived and throughout the sunrise I watched the fog move lower and lower. By 8am the fog was completely gone! I photographed the bridge from several locations on the road to Hawk Hill and had so many great photos that I had trouble deciding which was my favorite. Ultimately I chose a photo from the blue hour of sunrise (which is really only about 10 minutes), when the sun was still somewhat low and the sky had purple tones to match the fog. A couple minutes later and the sky started to turn light blue, orange, and red, washing out the lights of the city in the background. I experimented with different aspect ratios of either 2:1 or 3:1, and found that a slower shutter smoothed out the fog while a faster shutter left more texture and bumps. Ultimately I chose quicker shutter speed of 10 seconds and a 2:1 crop so that I could include as much of the amazingly textured fog as I could. Nikon D800 w/Nikkor 24-70mm f/2.8G ED AF-S: 29mm, f/11, 10 sec, ISO 64 No Filters
Cathedralglow Upper Cathedral Lake Yosemite National Park, CA Many people refer to this scene as "alpenglow", since you can see the color of the sun glowing off the mountain. I, instead, have decided that this particular phenomenon shall be renamed as "Cathedralglow". Named after the sun reflecting on Cathedral Peak in Yosemite National Park, Cathedralglow occurs when the sun is just below the horizon. Thunderstorms hovering over Cathedral Peak also pick up some of the color of the setting sun. One thing that I like to do with my each of my posts is to tell the story behind the photo and this one (I think) is a good one! This particular story involves the flu, long hikes, rock bouldering, cops, meteors, and more. I woke up on this particular morning with absolutely no energy. A large breakfast didn't help either and I started to get worried because I didn't know when we would eat again. As the day wore on I felt worse and worse. I started getting the chills. I had a fever. I had no appetite. I didn't want to move. It was only getting worse. I took a nap. Finally we stopped at the general store and I bought some DayQuill and a hamburger. I took another nap. When I woke up, all of a sudden … I had energy!!!! Just in time too -- it was 5 minutes before we were set to leave for Upper Cathedral Lake! Off we went! We left with plenty of time to hike the 4 miles, scout and wait for sunset. We didn't plan that I'd be sick, nor did we realized we would get lost and find ourselves climbing up hill more often than not but we arrived at Upper Cathedral Lake with plenty of time. When we arrived our jaws just dropped. Man is this place beautiful! After climbing around, walking over rocks, and doing a bit of bouldering we found what we wanted. Except … we were 100 feet too low! Above us loomed a huge rock-cliff. From down below, the lake was too small and squished; we needed to be on top to view the lake properly. Luckily Willie and I have both rock climbed at some point in our lives and we arrived at our spot with enough time for me to take another nap. As we waited for sunset some beautiful clouds rolled in and it started to rain behind Cathedral Peak. Man were we getting excited! As the sun dipped below the horizon the mountain peak just lit up with Cathedralglow! Wow were we in for a treat! As had been typical on this day, our emotions went up and down, up and down again; much to our dismay a number of thick, dark clouds rolled in and only a touch of pink color appeared in the clouds. That's when we turned around and saw the sky behind us was on fire! I had absolutely no energy to sprint down the cliff to get a better composition so we turned and just watched the wonderful sunset with our own eyes (and maybe a few shutter clicks too). It was a long hike down and thanks to another DayQuill I made it safely back to the car. This night was supposed to be the Perseid Meteor Shower maximum and we were eager to get to Mono Lake to photograph the meteors. A park ranger, on the other hand, was not so happy with our eagerness and decided to quiz us on why it was a better idea to slow down before eventually letting us go with just a warning. We spent a couple hours photographing meteors and then I finally made it back to bed where a long sleep found me feeling much better the next morning. Nikon D800 w/Nikkor 17-35mm f/2.8 ED-IF AF-S: 22mm, f/16, 3 sec, ISO 100 Lee Filter Holder + HiTech 0.6 ND Grad 2 explore blend
Peaceful Living Hacienda Concepcion, Amazon Rainforest Madre de Dios River, Peru I spent 4 days in the Amazon jungle just outside of Puerto Maldonado, Peru. We flew in, took a boat ride down one of the tributaries to the Amazon river, and lived out of these beautiful wooden cabanas. They had just been built about a year earlier and were absolutely gorgeous. Each cabana had a private bathroom, 2 beds (or 1 king bed), mosquito netting around the beds, mosquito netting on the windows, a fold-down couch, and 2 hammocks that faced out into the jungle. It was an EXTREMELY relaxing way to spend our 4 days in the jungle. One evening I took the camera out at night and decided to photograph the cabanas using the natural light: small gas lanterns that were placed around the cabanas. A small bit of clouds provided a nice extra element in the sky. The slightly long exposure created some nice movement in the stars. I used the path leading to the other cabanas to draw the eye through the photo. Nikon D800 w/Sigma 10-20mm F4-5.6 EX DC HSM: 10mm, f/4, 150 sec, ISO 400 DX mode
Boatworks Golden Gate Bridge, 75th Birthday Fireworks Celebration Slacker Hill, Marin Headlands, CA The GGB is a special structure for many of the local San Francisco photographers and although I don't get up here as much as I'd like, I always admire the beauty of not only the bridge, but the landscape in which it was built into. Knowing that parking would be limited and photographers would be out for this special celebration I arrived early (9 hours early or so) with Zack and Wilson and hiked to the top of Slacker Hill. Shortly after Jave, Alan, Jared, Carl, and Toby showed up and a number of photographers followed. During the time we waited we hung out, got to know each other, grilled some sausages, and eventually started debating if there was a better spot for the fireworks. Alan disappeared and when he came back he swore that there was a better spot. So off Jared, Alan, and I go, down a steep hill and over to a bunker that was lower, further west, and hopefully had a better view. While "better" may be relative, we all decided to stay and shoot from this location instead of the normal Slacker Hill composition. We had some time to kill before the fireworks and as the sun set and blue hour began I could hear photographers all around me firing away. The color in the sky was behind us but blue hour is always pretty when you're looking at the Golden Gate Bridge. BY the time blue hour began I noticed a lot of boats had gotten into position waiting for the fireworks to start. I thought they might pose an interesting subject for a photo so I dialed the ISO down, set the aperture to f/13 for some decent light-stars, and clicked away. It took 90 seconds to get the exposure right and in that time the boats moved all around, creating an interesting abstract effect of color, movement, and an almost semi-firework in the water. I have another photo with much sharper boats (at a higher ISO and faster shutter) but I thought this was much more interesting. Nikon D700 w/Nikkor 24-70mm f/2.8G ED AF-S: 24mm, f/13, 90 sec, ISO 250, Tripod No filters used because I was too lazy. I under-exposed slightly to keep the sky from blowing out and then pulled the rest of the photo up.
Birthday Girl Golden Gate Bridge, 75th Birthday Fireworks Celebration Slacker Hill, Marin Headlands, CA For most people living in the SF Bay Area, the Golden Gate Bridge is one of those beautiful things that always takes our breath away, no matter how many times you can see it. For photographers, it holds an even deeper appreciation as we both love the challenge and beauty and hate frustration of not getting "the shot". Interestingly, despite living only 30 minutes from San Francisco, I first learned about the 75th Birthday of the Golden Gate Bridge while reading the Alaska Airlines magazine on the way home from my trip to Kauai. The plan was to honor the Golden Gate Bridge with a day of festivities and a fireworks display to finish off the birthday celebration. There were a lot of decisions that went into trying to capture the GGB fireworks: which side of the bridge do I want to be on, which location on that side of the bridge, how are we going to get there, how early do we get there, do I try to meet up with other photographers, etc. I know that I wanted to be on the Marin side, placing the San Francisco city lights in the background, and that I wanted to be high up, above any fog that might roll in. After emails went around with a number of photographers it sounded like a good number of us would be at Slacker Hill. I ended up meeting up with Wilson Ng and my buddy Zack and we left my apartment almost 11 hours before the fireworks were set to go off! We didn't know what parking would be like and we didn't want to risk missing the show! The drive to Slacker Hill was actually quite easy, despite a small detour after finding the main road up was closed. Parking was also easy at that hour: people were coming and going and spots opened up immediately. We huffed and puffed with all our gear: cameras, tripods, food, chairs, beers, extra clothes, etc, and got to the top. Shortly after we arrived, Jave, Alan, and Jared showed up and decided to grill up some amazingly delicious hot-dogs while we waited. A number of other guys, some from a G+ group, also showed up, and then went off in search of greener pastures. As we waited a number of people noticed there was a bunker a bit closer to the Bridge. off they went to check it out, and when they came back, half the photographers with us took off for the bunker. Shortly after that Alan and Jared decided they were gonna head there to. After a long debate I decided to join them and raced off after them. So much for Slacker Hill! This spot, which was closer to the bridge and further to the west had a better vantage of the city, but it was also more susceptible to fog and was an unknown, as none of us had shot it. An hour and a half more of waiting, a beer run back up the super steep hill, and some more waiting and the show finally began! Boy were the fireworks incredible! Not only did they launch from a barge, but they also launched from above and below the bridge! It was quite the spectacular show and a fitting way to celebrate the Golden Gate's 75th birthday! The Golden Gate Bridge is near and dear to many of us -- we've had some wonderful times, and some frustrating times with her, but like me, many of us continue to have our breaths taken away each time we see her. Happy Birthday old girl! Nikon D700 w/Nikkor 24-70mm f/2.8G ED AF-S: 40mm, f/9, 3.3 sec, ISO 200, Tripod
HorseFAIL
Horsetail Falls, Fire Falls
Yosemite National Park, CA

Although Galen Rowell first photographed the Horsetail Falls "Fire Falls" in 1973 it was only until recently, with the popularity of the internet and social media, that this became a popular scene. During 2 weeks in February the sun sets at just the right angle that the orange glow reflects off the water and granite wall giving it the appearance of fire. Thousands of photographers flock to Yosemite National Park each winter to photograph this. In order for the Fire Falls effect to happen there needs to be plenty of water in the waterfall, the angle of the sun has to be just right, and the sky needs to be clear enough not to block the light from the sun.

There are 2 main locations to photograph the Horsetail Falls Fire Falls: one by the El Capitan picnic grounds (on Northside Drive) and the other along the river bank further south (on Southside Drive). Having photographed this event from the Southside Drive location in 2011 I decided to photograph from Northside Drive this year. Willie, Alan, and I drove down to Yosemite National Park on Friday afternoon and spent the entire weekend in Yosemite. My cousin and his friend also joined us.

As most people have pointed out the water level this year has been awful. A few giant storms in December gave way to an extremely dry January and February. When we arrived on Friday afternoon we could barely even find the waterfall, which is supplied by snowmelt from the top of El Capitan. Although several inches of snow fell a few days earlier the water level was looking pretty abysmal. On top of that, clouds kept rolling in. Luckily the clouds disappeared an hour or so before sunset and the only issue we had to tackle was water level. Disappointingly, not enough snow melted and we ended up with a mostly wet wall and not much waterfall.

Willie, Alan, and I spent the rest of the weekend freezing our tuchases off as we drove around the park trying to find other things to photograph. We also ran into a number of other photographers that we have exchanged emails, comments, and conversations with: Jean Day, Matt Granz, Michael Bonocore, Joe Azure, and Chung Hu to name a few.

We decided to cut our trip short and leave the park early on Sunday morning. Just as we drove out of the park at 9:30am we noticed that Horsetail Falls was *gushing* with water. We could see it with our naked eye! Scratch the plan to leave -- we turned around and went to the lodge to get some grub. Unfortunately …. When we returned at the waterfall a couple hours later the waterfall was completely gone again! Oh well, next year!

Nikon D800 w/Nikkor 80-200mm f/2.8 AF-D ED:
200m, f/11, 1/50 sec, ISO 100
HorseFAIL Horsetail Falls, Fire Falls Yosemite National Park, CA Although Galen Rowell first photographed the Horsetail Falls "Fire Falls" in 1973 it was only until recently, with the popularity of the internet and social media, that this became a popular scene. During 2 weeks in February the sun sets at just the right angle that the orange glow reflects off the water and granite wall giving it the appearance of fire. Thousands of photographers flock to Yosemite National Park each winter to photograph this. In order for the Fire Falls effect to happen there needs to be plenty of water in the waterfall, the angle of the sun has to be just right, and the sky needs to be clear enough not to block the light from the sun. There are 2 main locations to photograph the Horsetail Falls Fire Falls: one by the El Capitan picnic grounds (on Northside Drive) and the other along the river bank further south (on Southside Drive). Having photographed this event from the Southside Drive location in 2011 I decided to photograph from Northside Drive this year. Willie, Alan, and I drove down to Yosemite National Park on Friday afternoon and spent the entire weekend in Yosemite. My cousin and his friend also joined us. As most people have pointed out the water level this year has been awful. A few giant storms in December gave way to an extremely dry January and February. When we arrived on Friday afternoon we could barely even find the waterfall, which is supplied by snowmelt from the top of El Capitan. Although several inches of snow fell a few days earlier the water level was looking pretty abysmal. On top of that, clouds kept rolling in. Luckily the clouds disappeared an hour or so before sunset and the only issue we had to tackle was water level. Disappointingly, not enough snow melted and we ended up with a mostly wet wall and not much waterfall. Willie, Alan, and I spent the rest of the weekend freezing our tuchases off as we drove around the park trying to find other things to photograph. We also ran into a number of other photographers that we have exchanged emails, comments, and conversations with: Jean Day, Matt Granz, Michael Bonocore, Joe Azure, and Chung Hu to name a few. We decided to cut our trip short and leave the park early on Sunday morning. Just as we drove out of the park at 9:30am we noticed that Horsetail Falls was *gushing* with water. We could see it with our naked eye! Scratch the plan to leave -- we turned around and went to the lodge to get some grub. Unfortunately …. When we returned at the waterfall a couple hours later the waterfall was completely gone again! Oh well, next year! Nikon D800 w/Nikkor 80-200mm f/2.8 AF-D ED: 200m, f/11, 1/50 sec, ISO 100" href="javascript:openLB(2381415456,'',XLarge,'',513,768);">HorseFAIL Horsetail Falls, Fire Falls Yosemite National Park, CA Although Galen Rowell first photographed the Horsetail Falls "Fire Falls" in 1973 it was only until recently, with the popularity of the internet and social media, that this became a popular scene. During 2 weeks in February the sun sets at just the right angle that the orange glow reflects off the water and granite wall giving it the appearance of fire. Thousands of photographers flock to Yosemite National Park each winter to photograph this. In order for the Fire Falls effect to happen there needs to be plenty of water in the waterfall, the angle of the sun has to be just right, and the sky needs to be clear enough not to block the light from the sun. There are 2 main locations to photograph the Horsetail Falls Fire Falls: one by the El Capitan picnic grounds (on Northside Drive) and the other along the river bank further south (on Southside Drive). Having photographed this event from the Southside Drive location in 2011 I decided to photograph from Northside Drive this year. Willie, Alan, and I drove down to Yosemite National Park on Friday afternoon and spent the entire weekend in Yosemite. My cousin and his friend also joined us. As most people have pointed out the water level this year has been awful. A few giant storms in December gave way to an extremely dry January and February. When we arrived on Friday afternoon we could barely even find the waterfall, which is supplied by snowmelt from the top of El Capitan. Although several inches of snow fell a few days earlier the water level was looking pretty abysmal. On top of that, clouds kept rolling in. Luckily the clouds disappeared an hour or so before sunset and the only issue we had to tackle was water level. Disappointingly, not enough snow melted and we ended up with a mostly wet wall and not much waterfall. Willie, Alan, and I spent the rest of the weekend freezing our tuchases off as we drove around the park trying to find other things to photograph. We also ran into a number of other photographers that we have exchanged emails, comments, and conversations with: Jean Day, Matt Granz, Michael Bonocore, Joe Azure, and Chung Hu to name a few. We decided to cut our trip short and leave the park early on Sunday morning. Just as we drove out of the park at 9:30am we noticed that Horsetail Falls was *gushing* with water. We could see it with our naked eye! Scratch the plan to leave -- we turned around and went to the lodge to get some grub. Unfortunately …. When we returned at the waterfall a couple hours later the waterfall was completely gone again! Oh well, next year! Nikon D800 w/Nikkor 80-200mm f/2.8 AF-D ED: 200m, f/11, 1/50 sec, ISO 100
HorseFAIL
Horsetail Falls, Fire Falls
Yosemite National Park, CA

Although Galen Rowell first photographed the Horsetail Falls "Fire Falls" in 1973 it was only until recently, with the popularity of the internet and social media, that this became a popular scene. During 2 weeks in February the sun sets at just the right angle that the orange glow reflects off the water and granite wall giving it the appearance of fire. Thousands of photographers flock to Yosemite National Park each winter to photograph this. In order for the Fire Falls effect to happen there needs to be plenty of water in the waterfall, the angle of the sun has to be just right, and the sky needs to be clear enough not to block the light from the sun.

There are 2 main locations to photograph the Horsetail Falls Fire Falls: one by the El Capitan picnic grounds (on Northside Drive) and the other along the river bank further south (on Southside Drive). Having photographed this event from the Southside Drive location in 2011 I decided to photograph from Northside Drive this year. Willie, Alan, and I drove down to Yosemite National Park on Friday afternoon and spent the entire weekend in Yosemite. My cousin and his friend also joined us.

As most people have pointed out the water level this year has been awful. A few giant storms in December gave way to an extremely dry January and February. When we arrived on Friday afternoon we could barely even find the waterfall, which is supplied by snowmelt from the top of El Capitan. Although several inches of snow fell a few days earlier the water level was looking pretty abysmal. On top of that, clouds kept rolling in. Luckily the clouds disappeared an hour or so before sunset and the only issue we had to tackle was water level. Disappointingly, not enough snow melted and we ended up with a mostly wet wall and not much waterfall.

Willie, Alan, and I spent the rest of the weekend freezing our tuchases off as we drove around the park trying to find other things to photograph. We also ran into a number of other photographers that we have exchanged emails, comments, and conversations with: Jean Day, Matt Granz, Michael Bonocore, Joe Azure, and Chung Hu to name a few.

We decided to cut our trip short and leave the park early on Sunday morning. Just as we drove out of the park at 9:30am we noticed that Horsetail Falls was *gushing* with water. We could see it with our naked eye! Scratch the plan to leave -- we turned around and went to the lodge to get some grub. Unfortunately …. When we returned at the waterfall a couple hours later the waterfall was completely gone again! Oh well, next year!

Nikon D800 w/Nikkor 80-200mm f/2.8 AF-D ED:
200m, f/11, 1/50 sec, ISO 100
See photo in original gallery.
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