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Wave Breaker Hole in the Wall Beach Davenport, California James, Wilie and I headed down to Santa Cruz last Wednesday to capture what we hoped would be a nice sunset. We settled on Panther Beach but quickly got bored of the compositions and James and I went through the hole to Hole in the Wall Beach. We met Lukas and Jim Patterson as we waited for the sun to set (super cool!). I spent a while on the other side of these rocks but as the sun continued to set I followed the color in the sky back around to this side of the rocks that you see in this photo. I really liked how the rock would guide the retreating wave around before splashing back into the ocean. I used a long shutter (2 seconds) to capture the wave action. Luckily I had some big rain boots on and I was able to stand in the water without really getting wet -- which provided the nice water motion that you see in this shot! I managed to get back through the hole in the wall and return to my car without getting swept away this time! Last time I went for an accidental swim, got tossed into the rocks, and ruined my D80, iPhone, blackberry and 50mm f/1.8. Yay for surviving this time with no casualties! Nikon D700 w/Nikkor 17-35mm f/2.8 ED-IF AF-S: 17mm, f/14, 2 sec, ISO 160 HiTech 0.9 Reverse ND Grad
Broken Marshall Beach San Francisco, California Willie and I haven't had a good photo shoot in a while. All of our Death Valley shoots were a bust and we hoped that Sunday would change our luck. We watched as Saturday and Sunday morning brought amazing sunsets and sunrises yet we stayed in bed out of laziness. Not wanting to miss another good opportunity we hoped in the car and decided to try our luck at Marshall Beach in San Francisco. Neither of us had been here before and Willie was exhausted after a 10 mile hike the day before so I drove us through traffic as we found our way to the Golden Gate Bridge. Due to unexpected traffic we arrived at Marshall Beach much later than we intended. We raced down the mile long hike to the beach (it's pretty steep, but luckily the city of SF built a bunch of steps to make the trail down nice and easy). We got to the beach and quickly realized there were numerous compositions and we ran back and forth trying to find a good one before the sun got low and started lighting up the sky. Eventually we settled on a spot in the back that gave us a composition with rocks that would direct the incoming waves and provide some nice foreground motion. After finding a spot that I liked I got my Lee filter holder, remote shutter, and filters out and began to setup my tripod…. As I pulled open my tripod legs and went to attach my camera to the tripod my heart skipped a beat …. my bullhead looked strange. It was then that I noticed the knob that turns the quick release head to clamp my camera to the tripod was missing. Not a big deal I thought, I can at least use my fingers to turn the screw. Oh wait …. the clamp that moves in and holds the camera in was gone too!!! Completely missing. I have no idea how the entire thing fell off but it meant that my tripod was useless! I'm hoping that Acratech will replace the bullhead, or at least replace the part, for free. I was forced to hand-hold my shots for this shoot. Knowing that we needed long shutters to provide foreground motion Willie suggested that I use a rock to balance the camera. This was a great idea because it gave me a little extra stability without my tripod but it also meant that my compositions were limited to a couple spots. My thoughts of catching waves crashing over some other rocks were dashed. Despite the lack of tripod I still managed to get a number of shots that came out decent and since I was slightly higher up the beach I also managed to stay more dry than Willie, who took a splash over his new rain boots. Unfortunately for us, Mamma Nature is still mad at us and although there were *perfect* clouds above the Golden Gate Bridge, a bunch of low, thick clouds rolled in at the horizon behind us and blocked the light from reaching anywhere. Oh well, Black and White it is, which turned out kinda neat! Nikon D700 w/Nikkor 24-70mm f/2.8G ED AF-S: 48mm, f/13, 0.4 sec, ISO 640, "Rock" Tripod (see above) Lee Filter Holder + 0.9 HiTech Soft ND Grad
Silver Haired Ancestor Startrails and Ancient Petrogylphs California After poor planning cancelled a trip to Utah, Willie and I decided to head down to Death Valley instead. We brought along my friend Zack and were pretty excited to explore and get some great photos. Unfortunately, one of us must have really upset Mamma Nature because we got skunked for pretty much every photo we tried to take. We left DV on Saturday morning and were off to find some ancient petroglyph formations that faced snow covered mountains. After finding the parking spot, going on a nasty little hike, and doing some bouldering we finally arrived at the petroglyphs. We weren't quite sure we'd be able to find it so we arrived *reallllllly* early (like at 1pm for a 5:45pm sunset). Sure enough, we found it almost immediately! What an amazing site! These petroglphys, which are about 5,000 years old and one of the only ones that face the sky, sit on top of a block of volcanic rock and dozens of petroglyphs are carved into the rock, perhaps by ancestors of the Paiute (or Shoshone-Paiute) people. It's about 15 or 20 feet tall, somewhat bowl shaped, and slightly steep, perhaps about a 40 degree slope (which made standing for photos difficult). We thought we'd be the only ones there but were quite wrong (that seemed to be the theme of the trip … just wrong about everything!). A group of locals joined us for a couple minutes and then left as another large family joined us and eventually left. For a while we had the place to ourselves and used the time to get our compositions perfect. Surprisingly, around 3pm another set of (professional) photographers showed up and we had to squeeze in so that all 5 of us could get photos. It was pretty amusing, with one guy pretty much dangling off the rock! With our tripods setup we waited for sunset. Mamma Nature had not been nice to us during the trip but the 2 other photographers had been lucky all week, getting great skies the entire time, and we hoped their luck would turn our fortunes. Unfortunately, Mamma hated us more than ever and brought in some awful big clouds that blocked the sky from lighting up and we went home empty handed. So much for sunset! After eating dinner we looked back at the skies and saw it had cleared up and thought "hey, lets go back and do star trails!" So off we go, with a whole lot of extra clothing, back up the nasty little hike and to the petroglphys. Willie brought some yellow tissue paper to diffuse a LED flashlight and we light painted the rock and then took a 30 minute exposure for the startrails. Willie manned the flashlight while I clicked off our shutters and tried to block the wind from shaking our cameras. It took a couple tries but we finally got the light painting thing down and then were able to move on to our 30 minute startrails. Yet again, Mamma Nature tried to stop us and rolled in a bunch of clouds just as we started the 30 minute exposure! It ended up creating a neat little effect, with the startrails being intermixed with clouds. I thought it made the startrails look like little silvery strands of hair! After the shot, we packed up and finally got to bed at about 12:30am. Being as crazy as we are, we woke up again at 5am, hiked back to petroglyphs for a 3rd time and tried for a nice sunrise (again, a failure). At least we got this shot and we had an amazing trip regardless! Nikon D700 w/Nikkor 17-35mm f/2.8 ED-IF AF-S: 17mm, f/7.1, 30 min, ISO 200
Holy Sunset, Batman! Hole in the Wall Beach Davenport, California I had a feeling that the skies last week would we worth a trip to the coast and I threw my camera gear into my trunk just in case. Sure enough, James called Willie on Wednesday afternoon and asked if we wanted to leave work early and head to Santa Cruz. I had to wear business attire to work that morning and forgot to bring a change of clothes with me so I forced to head out with suit slacks and a button down shirt on. Once we got to Santa Cruz we decided we'd head to Panther Beach. We arrived and scouted for a while but I quickly realized that most of the good compositions would be under water before the sun set. I decided to head through the hole in the rock and start scouting "Hole in the Wall Beach". A little over a year ago Willie and I went down to Hole in the Wall Beach, crossed through the hole and had a very boring sunset. What I didn't realize was that the tide had come in and when we went to go back through the hole to return to our car I mistimed things, got swept in a wave, taken partially out to sea, thrown against the rocks, and then finally managed to swim back to the beach and get out. While my camera bag stayed mostly dry I lost a D80, a 50mm f/1.8, my iPhone, and my work blackberry (thankfully Apple replaced my iPhone for free!) Fast forward to Wednesday and again, the tide was low when we arrived and coming into a 3ft high tide. James, Willie, and I crossed the hole and scouted out some locations. I decided to stay close to the hole and shoot some of the rock outcroppings. Lukas Wenger passed us as we scouted around and later Jim Patterson and Kendra walked by and I managed a quick "Hi!" before they continued on to the south part of the beach (personally, I found) it pretty neat to run into a famous photographer like Jim!) Wearing tall rain boots ended up being a true blessing. As the tide came in the spot where I had setup my tripod quickly filled with incoming waves; the boots kept me dry while I was able to take photographs as water came in and then retreated. I tried to find some movement of the water around the rocks. As the sun continued to set the sky filled up with more and more color. Turned out to be quite a nice sunset! And I was able to successfully return to my car without getting swept away! I've now successfully conquered Hole in the Wall beach!! Nikon D700 w/Nikkor 17-35mm f/2.8 ED-IF AF-S: 17mm, f/18, 1.3 sec, ISO 125 HiTech 0.9 Reverse ND Grad
Skyrocket "Cripps Beach" Davenport, California Yesterday I checked the weather forecast and it looked like there were some nice clouds rolling in. I asked Willie if I should head home, grab my gear, and then hit the coast. Willie had been watching the weather satellite all day and it looked like the clouds disappeared as they hit Santa Cruz and he thought it wouldn't be a good day to go shoot. Instead of grabbing my gear I went to the gym and when I walked out of the gym at 5:30pm and looked up at the sky it was *on fire* with some amazing/blazing color. I banged my head against my car for a couple minutes as I watched the beautiful sunset die out. Today, determined not to make the same mistake again I packed up all my camera gear and threw it in the car … just in case the weather would hold out today and we'd get a nice sunset. Sure enough, at 2:30pm Willie tells me "I'm meeting James Wang at 2:50. Come if you want!" Of course! So I ditch work, hop in my car, and the 3 of us drive down to Santa Cruz. It was supposed to be high tide and James recommends we head on over to Cripps Beach (popular name because Joshua Cripps/Jim Patterson seem to be the first to photograph it). After parking, walking to the beach, and then climbing down the cliff (there was a rope attached to help out) we scouted around for a while. We walked along the beach for a while and Willie and I eventually found a nice little cove that had some interesting water currents rolling over the rocks. We setup and waited. Unfortunately the tide came in quicker than the sun set and our composition quickly became under water! Doh! Willie and I both left our spot and began to scout new locations. Willie stopped along a beach, and not wanting to take the same photo as Willie, I kept going. I had seen this little inlet earlier and now that the tide had risen a bit the composition looked much nicer than 30 minutes earlier. I noticed that there were some clouds further to the west so I moved south to face them. Sure enough 10 minutes after the sun had set the sky lit up! I wished the clouds had been a little bit closer to give us more color but there was some beautiful stuff going on along the horizon and for a minute or two the sky above me lit up as well. While snapping away I noticed a small plume of smoke rising out of the ocean. As I kept watching the sea I noticed that the plume was rising, and rising, and rising, until it eventually pitched and rolled and continued on an upward trajectory. A rocket!!! I just witnessed a rocket launch! I was pretty excited … especially since I work in a similar industry. When I got home I tried to look up what the launch was (I assumed it was from Vandenburg Airforce Base) but I couldn't find any rocket launches scheduled. Must have been some kind of missile test? Who knows. You can see the rocket in the photo, about ⅔ of the way to the right in this image, just above the horizon. Nikon D700 w/Nikkor 17-35mm f/2.8 ED-IF AF-S: 19mm, f/13, 3 sec, ISO 200 HiTech 0.9 Reverse ND Grad + HiTech 0.6 Soft Grad ND
Willie and I had been itching to take some photos and the weather forecast called for partially cloudy skies in Santa Cruz so we decided to grab a 3rd friend and head down the coast to Davenport Pier. There used to be an entire pier here but for some reason or another it got taken down and just the pylons are left. To get down to the beach is fairly tricky -- there's a "trail" that heads down the cliff and in some parts it's *really* steep. It's a little bit like rock-climbing, although you're not hanging from the wall. I had heard people use rope to help out so I threw some in my bag before we left and tied it to a pole at the top and it helped us out a little. Getting down wasn't too bad as long as you had good footing. Getting up was almost easier, until the top, when I was glad I had attached the rope. Once we were on the beach I scouted around for a good composition. I find this place actually pretty hard to photograph … mostly because the sunset isn't exactly where you want it … and it's hard to get enough foreground interest to make the photo interesting. I started off way to the left because there was some interesting foam, but by the time sunset hit the foam was gone and the composition was ruined. I then moved to this spot because of the rocks in the foreground and its close proximity to the old pier pilons. I waited for some wave action and then captured it on its way out. Unfortunately, a big wave came in shortly after and took a couple of those rocks with it, so that composition was now done. All those clouds we had hoped for never came in and the sky was pretty boring. When we got home it was pretty clear that in order to get something decent I was going to have to do quite a bit of post-processing work. I call this an "artograph" because I had to stitch several photos together and then do some heavy processing to get it to look like this. I found several shots I had taken with different cloud positions and blended them together to get a more interesting sky. My original composition was a little too tightly cropped and I found another photo that I could get some sky back on the top and blended that in. Because that photo increased the height of the photo I had to use content-aware fill to add some size to the right side of the photo and to keep the proper 3:2 dimensions. Then I played around with the white balance temperature and tint to bring out some purple color in the sky. What do you guys think? Too overdone? Nikon D700 w/Nikkor 24-70mm f/2.8G ED AF-S: 24mm, f/14, 1.3 sec, ISO 100, Tripod HiTech 0.9 Soft Grad ND, HiTech 0.6 Soft Grad ND
Christmas Sunrise SF Bay Bridge San Francisco, California For the past couple of years my buddy Zack and I have woken up early and driven to San Francisco for sunrise on Christmas morning. Being Jewish and not celebrating Christmas we're both usually away from our family, our friends are with their family, and the city is completely dead, which is perfect for photos. Unfortunately for us we left my apartment a little bit later than planned and got to Pier 14 just as the light was started to get good. I raced to try to setup my camera, figure out the framing, and start snapping away … then realized I wanted some filters and had to race to put on the Lee Filter holder and filters. All in all - I didn't really get a chance to figure out my composition, how many pylons I wanted, which pylons were the best to include, etc. It happened to be low tide (mostly low) so we got a good amount of the pylons showing, and there was enough cloud coverage to provide some color, but it was totally hazy/foggy and made the scene a bit eery. In fact, the light reflections from Oakland didn't come through at all, and I think I didn't get setup in time to capture the light reflections from the bridge. There were a bunch of seagulls flying around the scene too, and you can just make out a seagull on the left-most pylon who happened to sit there for a good majority of the ~6 minute exposure! I'm not in love with this photo but I wanted to make sure to capture something from pier 14 before the America's Cup comes to SF and the renovations remove these classic pylons. This is one of the most photographed spot in SF and it will become a thing of the past soon :( Nikon D700 w/Nikkor 24-70mm f/2.8G ED AF-S: 32mm, f/9, 376 sec, ISO 640 Lee Big Stopper + HiTech 0.9 Reverse ND Grad
Spotlight Pfeiffer Beach Big Sur, California One of the coolest shots along the CA coast-line occurs during December/January every year: the sun just happens to set at just the right spot that a light-beam peeks through Pfeiffer Arch at Pfeiffer State Beach in Big Sur, CA. If the light beam happens to hit a splash of water it can also light up the spray. Willie, Celina, and I arrived about 2.5 hours prior to sunset to get the prime location. We heard a rumor that a workshop would be there and we wanted to beat them to the good spots. We were the firsts to arrive, picked the best composition that we could find and waited. About 45 minutes before sunset the light beam started to show up. At first it was just a faint beam but about 20 minutes before sunset it really started to glow orange and red. We waited for a large wave to come through the arch and create a lot of mist and spray which would catch in the light and make the beam visible. Luckily for us there was a strong surf and about 15 minutes before sunset the light beam just lit up like crazy. I snapped away as fast as I could to make sure I captured it. About 15 seconds later this large beam was gone. There continued to be beams all the way until about sunset but they were never as big as this one. Despite the fact that the D700 is supposed to have slightly better dynamic range than the Canon 5D Mark II, Willie kept getting great exposures all in 1 shot while I couldn't seem to avoid clipping if I exposed the rocks properly. In order to get this shot I had to expose one photo for the light beam and then a much darker exposure to capture the suns reflection off the splashes. I also blended a 3rd image in to keep the foreground rocks a bit sharper than the f/9 original exposure produced. My apologies to the people behind us who were hoping to get a shot of the entire Pfeiffer Arch (wide angle). We setup early so we could get our shot and we knew that the light would only get better and didn't want to lose our spot by moving. I guess it worked out because a bunch of other photographers ended up moving close to us and at that point there was no way the guy who wanted to shoot wide was going to get his shot :( Sorry again! Nikon D700 w/Nikkor 24-70mm f/2.8G ED AF-S: 62mm, f/9, 1/10 sec, ISO 160, Tripod No filters, NOT an HDR
Pink Phoenix Arroyo Burro Beach ("Hendry's Beach") Santa Barbara, California Just as I was about to leave and call it a night I realized that there was this GORGEOUS U shaped (Bird Shaped?) cloud behind me. I turned around, setup the photo, and took a couple "sample" photos. The light was fading fast and I really wanted to capture this with my brand new Lee Big Stopper. I setup everything, set my remote timer to a 5 minute exposure, and clicked start. 5 minutes later I looked at the photo and it was completely black! My calculations had shown it should have been way long enough -- turns out I forgot to put the camera on BULB mode so the shot was only 30 seconds long. Ick -- there went my perfect shot. Turns out that one of my 30 second photos (this one) while I was testing the settings and setting up, ended up being a really nice photo. The color quickly faded after my failed 5 minute attempt and I was really lucky to have captured this as it lit up from the sunset.
Silver Haired Ancestor
Startrails and Ancient Petrogylphs
California

After poor planning cancelled a trip to Utah, Willie and I decided to head down to Death Valley instead. We brought along my friend Zack and were pretty excited to explore and get some great photos. Unfortunately, one of us must have really upset Mamma Nature because we got skunked for pretty much every photo we tried to take.

We left DV on Saturday morning and were off to find some ancient petroglyph formations that faced snow covered mountains. After finding the parking spot, going on a nasty little hike, and doing some bouldering we finally arrived at the petroglyphs. We weren't quite sure we'd be able to find it so we arrived *reallllllly* early (like at 1pm for a 5:45pm sunset). Sure enough, we found it almost immediately! What an amazing site! These petroglphys, which are about 5,000 years old and one of the only ones that face the sky, sit on top of a block of volcanic rock and dozens of petroglyphs are carved into the rock, perhaps by ancestors of the Paiute (or Shoshone-Paiute) people. It's about 15 or 20 feet tall, somewhat bowl shaped, and slightly steep, perhaps about a 40 degree slope (which made standing for photos difficult).

We thought we'd be the only ones there but were quite wrong (that seemed to be the theme of the trip … just wrong about everything!). A group of locals joined us for a couple minutes and then left as another large family joined us and eventually left. For a while we had the place to ourselves and used the time to get our compositions perfect. Surprisingly, around 3pm another set of (professional) photographers showed up and we had to squeeze in so that all 5 of us could get photos. It was pretty amusing, with one guy pretty much dangling off the rock! With our tripods setup we waited for sunset.

Mamma Nature had not been nice to us during the trip but the 2 other photographers had been lucky all week, getting great skies the entire time, and we hoped their luck would turn our fortunes. Unfortunately, Mamma hated us more than ever and brought in some awful big clouds that blocked the sky from lighting up and we went home empty handed. So much for sunset!

After eating dinner we looked back at the skies and saw it had cleared up and thought "hey, lets go back and do star trails!" So off we go, with a whole lot of extra clothing, back up the nasty little hike and to the petroglphys. Willie brought some yellow tissue paper to diffuse a LED flashlight and we light painted the rock and then took a 30 minute exposure for the startrails. Willie manned the flashlight while I clicked off our shutters and tried to block the wind from shaking our cameras. It took a couple tries but we finally got the light painting thing down and then were able to move on to our 30 minute startrails. Yet again, Mamma Nature tried to stop us and rolled in a bunch of clouds just as we started the 30 minute exposure! It ended up creating a neat little effect, with the startrails being intermixed with clouds. I thought it made the startrails look like little silvery strands of hair!

After the shot, we packed up and finally got to bed at about 12:30am. Being as crazy as we are, we woke up again at 5am, hiked back to petroglyphs for a 3rd time and tried for a nice sunrise (again, a failure). At least we got this shot and we had an amazing trip regardless!

Nikon D700 w/Nikkor 17-35mm f/2.8 ED-IF AF-S:
17mm, f/7.1, 30 min, ISO 200
Silver Haired Ancestor Startrails and Ancient Petrogylphs California After poor planning cancelled a trip to Utah, Willie and I decided to head down to Death Valley instead. We brought along my friend Zack and were pretty excited to explore and get some great photos. Unfortunately, one of us must have really upset Mamma Nature because we got skunked for pretty much every photo we tried to take. We left DV on Saturday morning and were off to find some ancient petroglyph formations that faced snow covered mountains. After finding the parking spot, going on a nasty little hike, and doing some bouldering we finally arrived at the petroglyphs. We weren't quite sure we'd be able to find it so we arrived *reallllllly* early (like at 1pm for a 5:45pm sunset). Sure enough, we found it almost immediately! What an amazing site! These petroglphys, which are about 5,000 years old and one of the only ones that face the sky, sit on top of a block of volcanic rock and dozens of petroglyphs are carved into the rock, perhaps by ancestors of the Paiute (or Shoshone-Paiute) people. It's about 15 or 20 feet tall, somewhat bowl shaped, and slightly steep, perhaps about a 40 degree slope (which made standing for photos difficult). We thought we'd be the only ones there but were quite wrong (that seemed to be the theme of the trip … just wrong about everything!). A group of locals joined us for a couple minutes and then left as another large family joined us and eventually left. For a while we had the place to ourselves and used the time to get our compositions perfect. Surprisingly, around 3pm another set of (professional) photographers showed up and we had to squeeze in so that all 5 of us could get photos. It was pretty amusing, with one guy pretty much dangling off the rock! With our tripods setup we waited for sunset. Mamma Nature had not been nice to us during the trip but the 2 other photographers had been lucky all week, getting great skies the entire time, and we hoped their luck would turn our fortunes. Unfortunately, Mamma hated us more than ever and brought in some awful big clouds that blocked the sky from lighting up and we went home empty handed. So much for sunset! After eating dinner we looked back at the skies and saw it had cleared up and thought "hey, lets go back and do star trails!" So off we go, with a whole lot of extra clothing, back up the nasty little hike and to the petroglphys. Willie brought some yellow tissue paper to diffuse a LED flashlight and we light painted the rock and then took a 30 minute exposure for the startrails. Willie manned the flashlight while I clicked off our shutters and tried to block the wind from shaking our cameras. It took a couple tries but we finally got the light painting thing down and then were able to move on to our 30 minute startrails. Yet again, Mamma Nature tried to stop us and rolled in a bunch of clouds just as we started the 30 minute exposure! It ended up creating a neat little effect, with the startrails being intermixed with clouds. I thought it made the startrails look like little silvery strands of hair! After the shot, we packed up and finally got to bed at about 12:30am. Being as crazy as we are, we woke up again at 5am, hiked back to petroglyphs for a 3rd time and tried for a nice sunrise (again, a failure). At least we got this shot and we had an amazing trip regardless! Nikon D700 w/Nikkor 17-35mm f/2.8 ED-IF AF-S: 17mm, f/7.1, 30 min, ISO 200" href="javascript:openLB(1709478471,'',XLarge,'',1024,682);">Silver Haired Ancestor Startrails and Ancient Petrogylphs California After poor planning cancelled a trip to Utah, Willie and I decided to head down to Death Valley instead. We brought along my friend Zack and were pretty excited to explore and get some great photos. Unfortunately, one of us must have really upset Mamma Nature because we got skunked for pretty much every photo we tried to take. We left DV on Saturday morning and were off to find some ancient petroglyph formations that faced snow covered mountains. After finding the parking spot, going on a nasty little hike, and doing some bouldering we finally arrived at the petroglyphs. We weren't quite sure we'd be able to find it so we arrived *reallllllly* early (like at 1pm for a 5:45pm sunset). Sure enough, we found it almost immediately! What an amazing site! These petroglphys, which are about 5,000 years old and one of the only ones that face the sky, sit on top of a block of volcanic rock and dozens of petroglyphs are carved into the rock, perhaps by ancestors of the Paiute (or Shoshone-Paiute) people. It's about 15 or 20 feet tall, somewhat bowl shaped, and slightly steep, perhaps about a 40 degree slope (which made standing for photos difficult). We thought we'd be the only ones there but were quite wrong (that seemed to be the theme of the trip … just wrong about everything!). A group of locals joined us for a couple minutes and then left as another large family joined us and eventually left. For a while we had the place to ourselves and used the time to get our compositions perfect. Surprisingly, around 3pm another set of (professional) photographers showed up and we had to squeeze in so that all 5 of us could get photos. It was pretty amusing, with one guy pretty much dangling off the rock! With our tripods setup we waited for sunset. Mamma Nature had not been nice to us during the trip but the 2 other photographers had been lucky all week, getting great skies the entire time, and we hoped their luck would turn our fortunes. Unfortunately, Mamma hated us more than ever and brought in some awful big clouds that blocked the sky from lighting up and we went home empty handed. So much for sunset! After eating dinner we looked back at the skies and saw it had cleared up and thought "hey, lets go back and do star trails!" So off we go, with a whole lot of extra clothing, back up the nasty little hike and to the petroglphys. Willie brought some yellow tissue paper to diffuse a LED flashlight and we light painted the rock and then took a 30 minute exposure for the startrails. Willie manned the flashlight while I clicked off our shutters and tried to block the wind from shaking our cameras. It took a couple tries but we finally got the light painting thing down and then were able to move on to our 30 minute startrails. Yet again, Mamma Nature tried to stop us and rolled in a bunch of clouds just as we started the 30 minute exposure! It ended up creating a neat little effect, with the startrails being intermixed with clouds. I thought it made the startrails look like little silvery strands of hair! After the shot, we packed up and finally got to bed at about 12:30am. Being as crazy as we are, we woke up again at 5am, hiked back to petroglyphs for a 3rd time and tried for a nice sunrise (again, a failure). At least we got this shot and we had an amazing trip regardless! Nikon D700 w/Nikkor 17-35mm f/2.8 ED-IF AF-S: 17mm, f/7.1, 30 min, ISO 200
Silver Haired Ancestor
Startrails and Ancient Petrogylphs
California

After poor planning cancelled a trip to Utah, Willie and I decided to head down to Death Valley instead. We brought along my friend Zack and were pretty excited to explore and get some great photos. Unfortunately, one of us must have really upset Mamma Nature because we got skunked for pretty much every photo we tried to take.

We left DV on Saturday morning and were off to find some ancient petroglyph formations that faced snow covered mountains. After finding the parking spot, going on a nasty little hike, and doing some bouldering we finally arrived at the petroglyphs. We weren't quite sure we'd be able to find it so we arrived *reallllllly* early (like at 1pm for a 5:45pm sunset). Sure enough, we found it almost immediately! What an amazing site! These petroglphys, which are about 5,000 years old and one of the only ones that face the sky, sit on top of a block of volcanic rock and dozens of petroglyphs are carved into the rock, perhaps by ancestors of the Paiute (or Shoshone-Paiute) people. It's about 15 or 20 feet tall, somewhat bowl shaped, and slightly steep, perhaps about a 40 degree slope (which made standing for photos difficult).

We thought we'd be the only ones there but were quite wrong (that seemed to be the theme of the trip … just wrong about everything!). A group of locals joined us for a couple minutes and then left as another large family joined us and eventually left. For a while we had the place to ourselves and used the time to get our compositions perfect. Surprisingly, around 3pm another set of (professional) photographers showed up and we had to squeeze in so that all 5 of us could get photos. It was pretty amusing, with one guy pretty much dangling off the rock! With our tripods setup we waited for sunset.

Mamma Nature had not been nice to us during the trip but the 2 other photographers had been lucky all week, getting great skies the entire time, and we hoped their luck would turn our fortunes. Unfortunately, Mamma hated us more than ever and brought in some awful big clouds that blocked the sky from lighting up and we went home empty handed. So much for sunset!

After eating dinner we looked back at the skies and saw it had cleared up and thought "hey, lets go back and do star trails!" So off we go, with a whole lot of extra clothing, back up the nasty little hike and to the petroglphys. Willie brought some yellow tissue paper to diffuse a LED flashlight and we light painted the rock and then took a 30 minute exposure for the startrails. Willie manned the flashlight while I clicked off our shutters and tried to block the wind from shaking our cameras. It took a couple tries but we finally got the light painting thing down and then were able to move on to our 30 minute startrails. Yet again, Mamma Nature tried to stop us and rolled in a bunch of clouds just as we started the 30 minute exposure! It ended up creating a neat little effect, with the startrails being intermixed with clouds. I thought it made the startrails look like little silvery strands of hair!

After the shot, we packed up and finally got to bed at about 12:30am. Being as crazy as we are, we woke up again at 5am, hiked back to petroglyphs for a 3rd time and tried for a nice sunrise (again, a failure). At least we got this shot and we had an amazing trip regardless!

Nikon D700 w/Nikkor 17-35mm f/2.8 ED-IF AF-S:
17mm, f/7.1, 30 min, ISO 200
See photo in original gallery.
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