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Another World Milky Way Above Tufa's Mono Lake, Lee Vining, CA Willie and I spent a weekend in the Yosemite high country taking photos of the Milky Way, beautiful lakes, and meteor showers. During the day we explored Yosemite while at night we spent most of our time at Mono Lake. One evening, we noticed that the Milky Way was setting directly behind us at the lake, over a couple sets of Tufa's and we just had to turn around and photograph it. There wasn't enough moonlight to light up the Tufa's so Willie grabbed a couple flashlights and light painted the Tufa's. We repeated the light painting several times until we got it right. Tufa's are salt creations left behind as Mono Lake was drained for drinking water for the Southern California region. Conservation efforts are under way and the lake level is rising again, hiding some of the Tufa's that have recently been visible. We wanted to capture as many photos as we could before these are back underwater! I debated whether or not to post this photo as I really wish there had been some of Mono Lake in this shot, but ultimately, I really liked how the Milky Way almost looks like a shooting star above the Tufa's. The following night was the peak of the Perseid Meteor Shower and Willie and I captured a number of meteors streaking through the sky! I also really liked how this photo almost looks like it could be taken from another planet -- perhaps Mars? Nikon D800 w/Nikkor 24mm f/1.4G ED: 24mm, f/1.4, 15 sec, ISO 3200
Cathedralglow Upper Cathedral Lake Yosemite National Park, CA Many people refer to this scene as "alpenglow", since you can see the color of the sun glowing off the mountain. I, instead, have decided that this particular phenomenon shall be renamed as "Cathedralglow". Named after the sun reflecting on Cathedral Peak in Yosemite National Park, Cathedralglow occurs when the sun is just below the horizon. Thunderstorms hovering over Cathedral Peak also pick up some of the color of the setting sun. One thing that I like to do with my each of my posts is to tell the story behind the photo and this one (I think) is a good one! This particular story involves the flu, long hikes, rock bouldering, cops, meteors, and more. I woke up on this particular morning with absolutely no energy. A large breakfast didn't help either and I started to get worried because I didn't know when we would eat again. As the day wore on I felt worse and worse. I started getting the chills. I had a fever. I had no appetite. I didn't want to move. It was only getting worse. I took a nap. Finally we stopped at the general store and I bought some DayQuill and a hamburger. I took another nap. When I woke up, all of a sudden … I had energy!!!! Just in time too -- it was 5 minutes before we were set to leave for Upper Cathedral Lake! Off we went! We left with plenty of time to hike the 4 miles, scout and wait for sunset. We didn't plan that I'd be sick, nor did we realized we would get lost and find ourselves climbing up hill more often than not but we arrived at Upper Cathedral Lake with plenty of time. When we arrived our jaws just dropped. Man is this place beautiful! After climbing around, walking over rocks, and doing a bit of bouldering we found what we wanted. Except … we were 100 feet too low! Above us loomed a huge rock-cliff. From down below, the lake was too small and squished; we needed to be on top to view the lake properly. Luckily Willie and I have both rock climbed at some point in our lives and we arrived at our spot with enough time for me to take another nap. As we waited for sunset some beautiful clouds rolled in and it started to rain behind Cathedral Peak. Man were we getting excited! As the sun dipped below the horizon the mountain peak just lit up with Cathedralglow! Wow were we in for a treat! As had been typical on this day, our emotions went up and down, up and down again; much to our dismay a number of thick, dark clouds rolled in and only a touch of pink color appeared in the clouds. That's when we turned around and saw the sky behind us was on fire! I had absolutely no energy to sprint down the cliff to get a better composition so we turned and just watched the wonderful sunset with our own eyes (and maybe a few shutter clicks too). It was a long hike down and thanks to another DayQuill I made it safely back to the car. This night was supposed to be the Perseid Meteor Shower maximum and we were eager to get to Mono Lake to photograph the meteors. A park ranger, on the other hand, was not so happy with our eagerness and decided to quiz us on why it was a better idea to slow down before eventually letting us go with just a warning. We spent a couple hours photographing meteors and then I finally made it back to bed where a long sleep found me feeling much better the next morning. Nikon D800 w/Nikkor 17-35mm f/2.8 ED-IF AF-S: 22mm, f/16, 3 sec, ISO 100 Lee Filter Holder + HiTech 0.6 ND Grad 2 explore blend
Eagle Ray Sunrise at Eagle Falls Lake Tahoe, California After Willie and I watched a beautiful sunrise over Emerald Bay we decided to see how easy it would be to find Eagle Falls. We knew the general location but we weren't sure if the falls was right off the trail, if we had to hike down to the lake, or what. Turns out it's a LOT easier to find than we thought. And by a lot easier I mean it's literally right off the road (you can see it from the road). It took a little bit of log walking, tree branch hangin' on, and some skippin' over rocks to get over here to get the composition we wanted. By this time the clouds were rollin' in pretty heavily and although we knew the color was gone we thought we'd have some fun taking some test shots anyways. I wanted to use the branches to add some interest to the foreground as well as frame the shot. I figured the tree could help frame this as well. The sunrise managed to squeak through the clouds and made a couple light-rays which I thought were neat. Without any color I thought I'd turn this into a black and white and see how it turned out. I used Nik's Silver Efex Pro to convert this and pull out some contrast and structure in the photo. Did I over process this? After the conversion I tried to pull the contrast back even more but I think a lot of that motion was in the RAW file from the long exposure. Thoughts? Nikon D700 w/Nikkor 17-35mm f/2.8 ED-IF AF-S: 17mm, f/9, 0.5 sec, ISO 100 B+W Circular Polarizer + HiTech 0.6 Soft Grad ND
Streaking Bonsai Bonsai Rock Sunset Lake Tahoe, Nevada Ever since I first saw David Shields photos of Bonsai Rock I had wanted to shoot this location. For the past couple years I've leased a ski cabin with several of my friends for the entire winter. Being so close to Lake Tahoe and Bonsai Rock you'd think it would be easy to get here to shoot. Last year I had made it up to the eastern shore to photograph Bonsai but I waited too long into the year (it was almost May when I made my way over there) and the sun was setting more northerly than I wanted. Willie and I decided to do a Tahoe photo weekend at the end of March, hoping the sunset would still be south-westerly enough for a nice sunset. It was storming all week and we rented a 4 wheel drive SUV for the trip. Hoping to get a great sunset we departed plenty early from my cabin and arrived at Bonsai Rock pretty hopeful. Random side-story: I've driven all over California (and many parts of the United States) over the past 6 years and although I've seen "Caution: falling rocks" signs, I've never actually really paid attention to them or had any issues. On the drive to Bonsai Rock the car in front of me rolled down his window and started waving his arm, pointing to the left, signaling something that I couldn't figure out. He quickly changed lanes and that's when I realized what he meant …. GIANT F'ING BOULDER!!!!!!! There were 3 cars to my left and I had to slam on the brakes to avoid hitting the giant rock. This thing would have seriously messed up the SUV. So Mr. Car in front of me … thank you! We arrived at Bonsai Rock with plenty of time before sunset. Last year there was so much snow that the lake level rose fairly significantly. Even with a dry winter the lake level is much higher than we really want for good Bonsai Rock photos. The beautiful foreground rocks are mostly under water. Willie and I spent a couple minutes looking at compositions but with so few rocks exposed we were pretty limited and found our shots pretty quickly. We had plenty of time to kill before sunset and it was partially cloudy so I decided to pull out the Lee Big Stopper and see what kind of effect I could get. I set up a 3.5 minute exposure, clicked the button and sure enough, I got a super neat pattern in the sky. The water was pretty choppy and the long exposure turned the water into glass. Perfect! Now we just need a beautiful sunset and I'll repeat this. Unfortunately we didn't get a sunset (thick clouds blocked the sunset) but I did manage to get a nice long exposure photo! Nikon D700 w/Nikkor 24-70mm f/2.8G ED AF-S: 36mm, f/16, 3 min 20 sec, ISO 200 Lee Filter Holder + 0.6 HiTech Soft ND Grad + Lee Big Stopper
Emerald Jewels Emerald Bay Sunrise Lake Tahoe, California A couple weeks ago Willie asked me to reserve the weekend of March 30, 2012 for a photo-trip. About the same time, my roommate and a bunch of my friends decided to make that same weekend a Tahoe get-away/ski-trip weekend. I wanted to do both so I convinced Willie to join and we'd shoot Lake Tahoe. We had been monitoring the weather all week and it seemed like every 5 hours the report changed. A large storm was rolling in but nobody could decide when exactly it would hit. We knew we wanted to shoot Bonsai Rock (which I have previously photographed) and Emerald Bay. Planning this photo trip turned into a nightmare because we weren't sure what sunrises or sunsets would be good and we couldn't figure out if the roads would even be open. The road to Emerald Bay had been closed all week due to snow / avalanche control but finally opened as we drove up to Tahoe. Friday night we drove to Bonsai Rock and had a skunked sunset (but I did manage to get a photo that I was happy with thanks to the Lee Big Stopper, coming soon). Saturday morning we woke up at 5:15am (ouch), wiped the sand out of eyes and hit the road. I had done some research and found that Emerald Bay was not only really close to our cabin but also pretty easy to photograph. Just pull off on one of the turn-outs, find a spot that doesn't have trees, and shoot. We were the only ones on the road when we got to Emerald Bay and only a few cars passed us as we watched the sunrise. There were a LOT of clouds (as you can see) but we were lucky and an opening in the east allowed the sunrise to sneak through and light up the clouds. We were treated for a beautiful sunrise (finally Mama Nature played nice for us!). Thanks to a super massive wind that had blown in, Emerald Bay also had some neat wave action going on (which you can see in this photo). Willie used his new Singh-Ray Reverse ND Grad and was able to get a large dynamic range with very little clipping. My HiTech Reverse ND isn't as soft and was doing some ugly things to the hill on the left so I had to settle for 2 filters and some bracketing. This shot is a 2-exposure blend, although the underexposed photo was only used in the bright section on the right of the photo, above the mountains and below the clouds. Nikon D700 w/Nikkor 24-70mm f/2.8G ED AF-S: 24mm, f/18, 10 sec, ISO 100 Lee Filter Holder + (0.9 + 0.3) HiTech Soft ND Grad's
Christmas Sunrise SF Bay Bridge San Francisco, California For the past couple of years my buddy Zack and I have woken up early and driven to San Francisco for sunrise on Christmas morning. Being Jewish and not celebrating Christmas we're both usually away from our family, our friends are with their family, and the city is completely dead, which is perfect for photos. Unfortunately for us we left my apartment a little bit later than planned and got to Pier 14 just as the light was started to get good. I raced to try to setup my camera, figure out the framing, and start snapping away … then realized I wanted some filters and had to race to put on the Lee Filter holder and filters. All in all - I didn't really get a chance to figure out my composition, how many pylons I wanted, which pylons were the best to include, etc. It happened to be low tide (mostly low) so we got a good amount of the pylons showing, and there was enough cloud coverage to provide some color, but it was totally hazy/foggy and made the scene a bit eery. In fact, the light reflections from Oakland didn't come through at all, and I think I didn't get setup in time to capture the light reflections from the bridge. There were a bunch of seagulls flying around the scene too, and you can just make out a seagull on the left-most pylon who happened to sit there for a good majority of the ~6 minute exposure! I'm not in love with this photo but I wanted to make sure to capture something from pier 14 before the America's Cup comes to SF and the renovations remove these classic pylons. This is one of the most photographed spot in SF and it will become a thing of the past soon :( Nikon D700 w/Nikkor 24-70mm f/2.8G ED AF-S: 32mm, f/9, 376 sec, ISO 640 Lee Big Stopper + HiTech 0.9 Reverse ND Grad
Eagle Ray
Sunrise at Eagle Falls
Lake Tahoe, California

After Willie and I watched a beautiful sunrise over Emerald Bay we decided to see how easy it would be to find Eagle Falls. We knew the general location but we weren't sure if the falls was right off the trail, if we had to hike down to the lake, or what. Turns out it's a LOT easier to find than we thought. And by a lot easier I mean it's literally right off the road (you can see it from the road).

It took a little bit of log walking, tree branch hangin' on, and some skippin' over rocks to get over here to get the composition we wanted. By this time the clouds were rollin' in pretty heavily and although we knew the color was gone we thought we'd have some fun taking some test shots anyways. I wanted to use the branches to add some interest to the foreground as well as frame the shot. I figured the tree could help frame this as well. The sunrise managed to squeak through the clouds and made a couple light-rays which I thought were neat.

Without any color I thought I'd turn this into a black and white and see how it turned out. I used Nik's Silver Efex Pro to convert this and pull out some contrast and structure in the photo. Did I over process this? After the conversion I tried to pull the contrast back even more but I think a lot of that motion was in the RAW file from the long exposure. Thoughts?

Nikon D700 w/Nikkor 17-35mm f/2.8 ED-IF AF-S:
17mm, f/9, 0.5 sec, ISO 100
B+W Circular Polarizer + HiTech 0.6 Soft Grad ND
Eagle Ray Sunrise at Eagle Falls Lake Tahoe, California After Willie and I watched a beautiful sunrise over Emerald Bay we decided to see how easy it would be to find Eagle Falls. We knew the general location but we weren't sure if the falls was right off the trail, if we had to hike down to the lake, or what. Turns out it's a LOT easier to find than we thought. And by a lot easier I mean it's literally right off the road (you can see it from the road). It took a little bit of log walking, tree branch hangin' on, and some skippin' over rocks to get over here to get the composition we wanted. By this time the clouds were rollin' in pretty heavily and although we knew the color was gone we thought we'd have some fun taking some test shots anyways. I wanted to use the branches to add some interest to the foreground as well as frame the shot. I figured the tree could help frame this as well. The sunrise managed to squeak through the clouds and made a couple light-rays which I thought were neat. Without any color I thought I'd turn this into a black and white and see how it turned out. I used Nik's Silver Efex Pro to convert this and pull out some contrast and structure in the photo. Did I over process this? After the conversion I tried to pull the contrast back even more but I think a lot of that motion was in the RAW file from the long exposure. Thoughts? Nikon D700 w/Nikkor 17-35mm f/2.8 ED-IF AF-S: 17mm, f/9, 0.5 sec, ISO 100 B+W Circular Polarizer + HiTech 0.6 Soft Grad ND" href="javascript:openLB(1803652691,'',XLarge,'',1024,680);">Eagle Ray Sunrise at Eagle Falls Lake Tahoe, California After Willie and I watched a beautiful sunrise over Emerald Bay we decided to see how easy it would be to find Eagle Falls. We knew the general location but we weren't sure if the falls was right off the trail, if we had to hike down to the lake, or what. Turns out it's a LOT easier to find than we thought. And by a lot easier I mean it's literally right off the road (you can see it from the road). It took a little bit of log walking, tree branch hangin' on, and some skippin' over rocks to get over here to get the composition we wanted. By this time the clouds were rollin' in pretty heavily and although we knew the color was gone we thought we'd have some fun taking some test shots anyways. I wanted to use the branches to add some interest to the foreground as well as frame the shot. I figured the tree could help frame this as well. The sunrise managed to squeak through the clouds and made a couple light-rays which I thought were neat. Without any color I thought I'd turn this into a black and white and see how it turned out. I used Nik's Silver Efex Pro to convert this and pull out some contrast and structure in the photo. Did I over process this? After the conversion I tried to pull the contrast back even more but I think a lot of that motion was in the RAW file from the long exposure. Thoughts? Nikon D700 w/Nikkor 17-35mm f/2.8 ED-IF AF-S: 17mm, f/9, 0.5 sec, ISO 100 B+W Circular Polarizer + HiTech 0.6 Soft Grad ND
Eagle Ray
Sunrise at Eagle Falls
Lake Tahoe, California

After Willie and I watched a beautiful sunrise over Emerald Bay we decided to see how easy it would be to find Eagle Falls. We knew the general location but we weren't sure if the falls was right off the trail, if we had to hike down to the lake, or what. Turns out it's a LOT easier to find than we thought. And by a lot easier I mean it's literally right off the road (you can see it from the road).

It took a little bit of log walking, tree branch hangin' on, and some skippin' over rocks to get over here to get the composition we wanted. By this time the clouds were rollin' in pretty heavily and although we knew the color was gone we thought we'd have some fun taking some test shots anyways. I wanted to use the branches to add some interest to the foreground as well as frame the shot. I figured the tree could help frame this as well. The sunrise managed to squeak through the clouds and made a couple light-rays which I thought were neat.

Without any color I thought I'd turn this into a black and white and see how it turned out. I used Nik's Silver Efex Pro to convert this and pull out some contrast and structure in the photo. Did I over process this? After the conversion I tried to pull the contrast back even more but I think a lot of that motion was in the RAW file from the long exposure. Thoughts?

Nikon D700 w/Nikkor 17-35mm f/2.8 ED-IF AF-S:
17mm, f/9, 0.5 sec, ISO 100
B+W Circular Polarizer + HiTech 0.6 Soft Grad ND
See photo in original gallery.
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