Lone Star CityPotrero Hill: 19th St and Texas Ave San Francisco, California One of the classic holiday shots that every SF photographer should have is the Potrero Hill cityscape. The beautiful S-curve of highway 280 draws the eye right into the city and certain buildings are lit up with beautiful holiday colors. The star on top of the Transamerica Building tops it all off. Zack had just received his brand new D600 and wanted to give it a try. We drove on over and arrived early at the corner of 19th St. and Texas Ave (thus where part of the name "Lone Star City" comes from). We were the first photographers to arrive but I knew that wouldn't last long. In all there were 4 other photographers that joined us. For almost the whole time we were able to stand in the middle of the road and direct cars around us. It was pretty fun watching the cars weave in and out of photographers. So nice of them! I wanted to choose a composition that included as much of the holiday lights as I could, without showing *too* many buildings and making everything small. I also didn't want to put the S-curve too close to the edge of the photo. Thanks to a number of other photographers who have shot this in the past I knew that Caltrain often crossed under the highway and every time a train passed by I would frantically click away, adding the trains light trails to the photo. I also got lucky when 1 car and a truck decided to change lanes on the highway, providing beautiful blinking lights on the S-curve! Happy holidays! Nikon D800 w/Nikkor 80-200mm f/2.8D ED AF: 112mm, f/13, 30 sec, ISO 100 Star shot at f/16 No Filters, No HDR
Into the CityHoliday Lights along Pier 7 San Francisco, California Every year for the holidays there's a special treat in San Francisco: several of the buildings outline themselves in lights and a light on top of the Transamerica Building is turned on. It makes for a very beautiful cityscape! The best time to photograph the city skyline is at "Blue Hour" -- that half hour after the sunsets when there's still some color in the sky but all the harsh light from the sun is gone. Unfortunately the Transamerica Building wasn't turning their crown jewel on until blue hour had ended and the sky was dark. Through some sleuthing I was able to get in touch with someone at the Transamerica Building and request that the Beacon be turned on an hour early on this particular evening. Everything seemed to be in place for the blue hour shot and Willie, Andy and I left work early and drove into the city. We met up with Alan and made our way over to Pier 7. The lights along the Embarcadero Center buildings came on before the sun had even set. If the Beacon atop the Transamerica Building would come on we'd be in luck for a great night. We setup our cameras along the pier and waited for the light to come on. And waited. And waited. 5pm came and went. Turns out that the guy who was supposed to turn the light on at 5pm forgot and it didn't come on until 6pm, well past Blue Hour. With a little blending you get the idea of what we were hoping would happen naturally. Interestingly Pier 7 is apparently too close to the Transamerica Building for the light on top to turn into a nice light-star like the rest of the lights in my composition. Stand further away from the Transamerica Building and you get a beautiful star. I chose a slightly off-symmetrical composition so I could include the outlined Embarcadero Center buildings. Nikon D800 w/Nikkor 24-70mm f/2.8G ED AF-S: 24mm, f/11, 13 sec, ISO 160 No Filters, No HDR
City's EmbraceSunrise Over Golden Gate Bridge Hawk Hill, San Francisco, California Waking up at 5am on a Saturday morning is never fun. Instead of staying all warm and cozy in my nice bed I was up and out the door to meet Willie and Alan to photograph sunrise. On the drive to San Francisco we noticed some really nice thin clouds in the sky and we had a feeling it would be worth the early wake-up! There was a slight debate about where to photograph the sunrise. The clouds were located to the north east of the city and we decided to plant ourselves west … that meant crossing the Golden Gate Bridge and heading over to Hawk Hill. Although we had arrived early, we got out of the car and saw that clouds already had a beautiful purple glow caused by the lights from San Francisco. Racing to find a spot we setup our tripods and started clicking away. Boy were we in for a treat! Photographing while the sun was below the horizon enabled us to capture this scene with the combination of the city lights, the beautiful red glow of the bridge, and the warm colorful tones in the sky. As the sun rose closer to the horizon, the lights in the city faded, the bridge turned dark, and the clouds lost their purple glow. And then they lit up! First slight oranges and yellows were visible, then brilliant pinks and reds. As the sun peaked itself over the horizon the color faded and tule fog began to roll in. Our early morning wake-up was worth the beautiful morning! Despite the explosion of color towards the latter part of the sunrise, I decided I liked my earliest photographs the best. Here the city lights are visible, the bridge has its wonderful golden hue, and the water reflects the light. I also chose a 2x1 panoramic crop because it limited the amount of noise above and below the photo (empty sky above and trees below). I named this photo "City's Embrace" because I like the way that the bridge hugs the city. Nikon D800 w/Nikkor 24-70mm f/2.8G ED AF-S: 24mm, f/9, 1/3 sec, ISO 250 HiTech 0.9 Reverse ND Grad
