The Beacon Shines, Blue Hour over San Francisco San Francisco, California (2.5:1 Aspect Ratio, Full Panorama) One of the reasons why I love San Francisco during the holiday time is that it gets an extra special treat to its skyline: the four Embarcadero Center buildings outline themselves with over 17,000 lights, the Transamerica Building lights their “Beacon” and several other buildings don themselves with festive colors. Trying to get Sammi to get into photography, I brought her on a trip to the Eastern Sierras with Willie and I where she froze her tuchas off. Wanting to give her a better experience I invited her along for our visit into the San Francisco to photograph its skyline. It wasn’t until I offered to take her to the “Boxing Room” for dinner (Southern Creole) afterwards that she agreed! Willie, Alan, James, Sammi, and I met high upon this hill overlooking the city. James had arrived early and setup 5 different tripods all over the hill. Reining him in, we all setup and waited. In previous years the Transamerica Building turned its “Beacon” on at 5pm but lately it’s been turned on at 6pm, almost an hour after sunset. The 20-30 minutes after the sun goes down is called “Blue Hour”, where the sky takes a beautiful blue/purple tone. By 6pm the sky is dark, shadows creep in, and the photos become boring. With high hopes for an early turn on I looked at the Transamerica Building at 4:55pm and saw the light was on! Yes! During the 20 minutes or so of Blue Hour I took a number of compositions. The scene is difficult because the Bay Bridge and its light provide a nice line on the left, but the city beneath it is somewhat boring. The main part of the city lies on the right but I didn’t want to ignore the beautiful lights of the Bay Bridge. To our left were some vines and a building that blocked the view and got in the way of our scene. I decided that a panorama was necessary and I wanted to get to make the city buildings appear slightly closer, so I through on the 80-200mm lens and took an 8-photo panoramic. I took a 9th shot to make the star on top of the Transamerica building even larger. I ended with a 177 megapixel image that I then cropped in various ways. In this cropped version of the pano, I focused on the city skyscrapers. Nikon D800 w/Nikkor 80-200mm f/2.8D ED AF 80mm, f/9.0, 6 seconds, ISO 200 8 shot panoramic, blended in Autopano Giga 9th shot at f/16 for the lighstar on The Beacon
Emerald's FireColorful Sunset Clouds over Emerald Bay Lake Tahoe, California Large forest fires are known to create their own weather patterns and the RimFire near Yosemite has been creating smoke storms that are wreaking havoc on the quality of air in the Lake Tahoe region. On this evening the winds shifted direction and much of the smoke blowing into the Lake Tahoe area cleared out leaving behind a beautiful patch of clouds. I drove over to Emerald Bay and watched an absolutely beautiful sunset with pinks and oranges in the sky. This particular cloud gave the impression that Emerald Bay was on fire as well. Nikon D800 w/Nikkor 17-35mm f/2.8: 35mm, f/9, 1/5 sec, ISO 100
Painted WoodRedwood Trees Muir Woods, Marin Headlands, California Being in the mood to hang out with the trees and see some beautiful things, Willie, Alan, Sammi and I woke up early one Saturday morning and drove up to Muir Woods. The intent was to shoot the Redwood trees shrouded in fog and then stop in at the Muir Woods Trading Co Cafe for one of their famous Grilled Cheese sandwiches. Everything started off great and then fell completely apart. As we drove to Muir Woods the fog level looked perfect. There was a ton of fog on the coast and it looked low enough to seep into Muir Woods. After navigating the windy roads and making sure Willie's breakfast stayed in his stomach we arrived at Muir Woods early enough to have no problem finding parking. In fact, it was still so early that the rangers hadn't arrived to change the "Entrance Fee: FREE!" sign to "Entrance Fee: $7"! Lucky us. We decided to hike up so we could get back to the higher elevation fog. We hiked up. No fog. We kept hiking. Still no fog. On we went. FOG! Oh wait, no Redwood trees. Walk some more. Hey look, Redwood grove! Oh right, no fog. We took some photos of trees and moved on. Sammi's not a photographer and she brought a book with her and read while we shot. At one point as we started to leave a patch of trees she said "did you guys look behind you?" Of course we hadn't. That's when we saw all the trees had lined up beautifully. With no fog we decided to go a bit abstract and try some "camera painting." Using a long shutter and keeping our tripod bullheads loose, we panned the camera up as the shutter stayed open for 1-2 seconds. Thus the effect you see here! Nikon D800 w/Nikkor 80-200mm f/2.8 AF-D: 185mm, f/10, 1.6 seconds, ISO 400
